Francis Poulenc, Pierre Dervaux, Choeurs et Orchestre du Théâtre National de l'Opéra, Paris, Denise Duval, Denise Scharley, Rita Gorr, Orchestre du Théâtre National de l'Opéra de Paris's 'Poulenc: Dialogues des Carmélites, FP 159, Act 1: "La Révérende Mère veut que vous approchiez" (Mère Marie, La Prieure, Blanche)' came out on 1958. The duration of Poulenc: Dialogues des Carmélites, FP 159, Act 1: "La Révérende Mère veut que vous approchiez" (Mère Marie, La Prieure, Blanche) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Poulenc: Dialogues des Carmélites, FP 159, Act 1: "La Révérende Mère veut que vous approchiez" (Mère Marie, La Prieure, Blanche)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 54 in the song's album "Poulenc: Dialogue des Carmélites". In this album, this song's track order is #23. Furthermore, we believe that the track originated from France. The popularity of Poulenc: Dialogues des Carmélites, FP 159, Act 1: "La Révérende Mère veut que vous approchiez" (Mère Marie, La Prieure, Blanche) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Poulenc: Dialogues des Carmélites, FP 159, Act 1: "La Révérende Mère veut que vous approchiez" (Mère Marie, La Prieure, Blanche) by Francis Poulenc, Pierre Dervaux, Choeurs et Orchestre du Théâtre National de l'Opéra, Paris, Denise Duval, Denise Scharley, Rita Gorr, Orchestre du Théâtre National de l'Opéra de Paris having a テンポ of 164 with a half-time of 82 テンポ and a double-time of 328 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
6 Moments musicaux, Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Tarantella in A Minor | Mikhail Glinka, Inga Fiolia | A Minor | 2 | 8A | 100 BPM | ||
Variations On A Theme By Chopin: Variation 1. Tranquillo e molto amabile | Federico Mompou, Daniil Trifonov | A Major | 0 | 11B | 66 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Piano Sonata No. 25 in G Major, Op. 79 "Cuckoo": II. Andante | Ludwig van Beethoven, Boris Giltburg | E♭ Major | 0 | 5B | 136 BPM |