"Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa" by Nikolaus Harnoncourt, Vienna State Opera Chorus was released on 1982. The duration of Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa is about 3 minutes long, at 3:01. Based on our data, "Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Nikolaus Harnoncourt's "Mozart : Requiem (Elatus)" album is number 8 out of 14. Based on our statistics, Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: VIII. Lacrimosa by Nikolaus Harnoncourt, Vienna State Opera Chorus to be Allegro (fast, quick, and bright) because the track has a tempo of 146 テンポ, a half-time of 73テンポ, and a double-time of 292 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Requiem in D Minor, K. 626: II. Kyrie | Nikolaus Harnoncourt, Vienna State Opera Chorus | D Minor | 2 | 7A | 84 BPM | ||
Kilar: The Ninth Gate: Vocalise | Wojciech Kilar, Diana Damrau, David Charles Abell, Royal Liverpool Philharmonic Orchestra | A Minor | 2 | 8A | 175 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | B♭ Minor | 0 | 3A | 77 BPM | ||
Romeo and Juliet, Suite No.2 from the ballet, Op.64b: 1. Montagues & Capulets | Minnesota Orchestra, Stanisław Skrowaczewski | A Minor | 1 | 8A | 108 BPM | ||
Romeo and Juliet, Op. 64 / Act 1: 13. Dance of the Knights | Sergei Prokofiev, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 0 | 10B | 131 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Libor Pešek, Slovac Philharmony | F♯ Minor | 1 | 11A | 156 BPM | ||
Der Freischutz, J. 277: Huntsmen's Chorus | Carl Maria von Weber, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Johann Friedrich Kind | D Major | 2 | 10B | 116 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Berlin Rundfunk Symphonie Orchester, Horst Stein | C Major | 4 | 8B | 108 BPM |