"The Planets - Suite H125 (Op. 32) (1996 Digital Remaster): 4. Jupiter, the Bringer of Jollity (Allegro giocoso)" by Gustav Holst, Sir Malcolm Sargent, BBC Symphony Orchestra was released on May 3, 2004. Since The Planets - Suite H125 (Op. 32) (1996 Digital Remaster): 4. Jupiter, the Bringer of Jollity (Allegro giocoso) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Holst, Sir Malcolm Sargent's "Holst The Planets etc" album is number 11 out of 14. On top of that, United Kingdom appears to be the country where this track was created. The Planets - Suite H125 (Op. 32) (1996 Digital Remaster): 4. Jupiter, the Bringer of Jollity (Allegro giocoso) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets - Suite H125 (Op. 32) (1996 Digital Remaster): 4. Jupiter, the Bringer of Jollity (Allegro giocoso) by Gustav Holst, Sir Malcolm Sargent, BBC Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Idyl for Strings - Adagio | Leoš Janáček, Hanspeter Gmür, Camerata Romana | G Major | 1 | 9B | 105 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Colonial Song | Percy Grainger, Slovak Radio Symphony Orchestra | E Major | 1 | 12B | 72 BPM | ||
Dvořák: Czech Suite in D Major, Op. 39, B. 93: IV. Romanza | Antonín Dvořák, Czech Philharmonic Orchestra, Libor Pešek | D Major | 0 | 10B | 87 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | F Major | 1 | 7B | 83 BPM | ||
Arne / Arr Sargent : Rule Britannia! | Thomas Arne, Last Night Of The Proms - The 100th Season, Andrew Davis, BBC Symphony Orchestra | A♭ Major | 3 | 4B | 97 BPM | ||
Hoedown | Aaron Copland, Arthur Fiedler | D Major | 3 | 10B | 127 BPM | ||
Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM |