"Der fliegende Holländer, WWV 63 / Act 2: "Mögst du, mein Kind, den fremden Mann willkommen heißen"" by Richard Wagner, Martti Talvela, Chicago Symphony Orchestra, Sir Georg Solti was released on January 1, 2012. Der fliegende Holländer, WWV 63 / Act 2: "Mögst du, mein Kind, den fremden Mann willkommen heißen" is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #5. Based on our statistics, Der fliegende Holländer, WWV 63 / Act 2: "Mögst du, mein Kind, den fremden Mann willkommen heißen"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Der fliegende Holländer, WWV 63 / Act 2: "Mögst du, mein Kind, den fremden Mann willkommen heißen" by Richard Wagner, Martti Talvela, Chicago Symphony Orchestra, Sir Georg Solti having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.2: 2. Allegro risoluto | Aram Khachaturian, Wiener Philharmoniker | A♭ Major | 3 | 4B | 101 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 74 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Wagner: Der fliegende Holländer (The Flying Dutchman), Overture to Act 1 | Richard Wagner, Daniel Barenboim, Staatskapelle Berlin | A Major | 1 | 11B | 164 BPM | ||
Der Freischütz, J. 277 / Act 1: "Viktoria! Viktoria! ..." - Bauern-Marsch - "Schau der Herr mich an als König!" | Carl Maria von Weber, Hans Jörn Weber, Gunther Leib, Staatskapelle Dresden, Carlos Kleiber, MDR Leipzig Radio Chorus | G Major | 3 | 9B | 107 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Etwas bewegter (Solo: "O Glaube") | Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz | A♭ Major | 0 | 4B | 81 BPM | ||
Carmina Burana / I. Primo vere: "Omnia Sol temperat" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 0 | 6B | 76 BPM |