"Giulio Cesare in Egitto, HWV 17, Act II, Scene 8: Se pietà di me non senti" by George Frideric Handel, Sonya Yoncheva, Alessandro De Marchi was released on February 3, 2017. Since Giulio Cesare in Egitto, HWV 17, Act II, Scene 8: Se pietà di me non senti is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Sonya Yoncheva's "Handel" album is number 1 out of 11. In terms of popularity, Giulio Cesare in Egitto, HWV 17, Act II, Scene 8: Se pietà di me non senti is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Giulio Cesare in Egitto, HWV 17, Act II, Scene 8: Se pietà di me non senti by George Frideric Handel, Sonya Yoncheva, Alessandro De Marchi to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Matthäus-Passion, BWV 244: Erbarme dich mein Gott | Johann Sebastian Bach, Yo-Yo Ma, Ton Koopman, Amsterdam Baroque Orchestra | B♭ Minor | 1 | 3A | 82 BPM | ||
Concerto a cinque No. 2, Op. 9: I. Allegro e no presto | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | D♭ Minor | 3 | 12A | 169 BPM | ||
Giulio Cesare in Egitto: Quando voglio | Antonio Sartorio, Patricia Petibon, Venice Baroque Orchestra, Andrea Marcon | F♯ Minor | 3 | 11A | 122 BPM | ||
Purcell : King Arthur : Act 3 "See, see, we assemble" [Chorus] Dance | William Christie | B♭ Minor | 2 | 3A | 114 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Concerto grosso in G Major, Op. 3, No. 3, HWV 314: III. Adagio | George Frideric Handel, Gerhart Hetzel, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | E Minor | 1 | 9A | 171 BPM | ||
Oedipus: Music For A While, Z583 | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | E Minor | 1 | 9A | 85 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM | ||
Il Trionfo del Tiempo e del Disinganno, HWV 46a - Oratorio: "Tu del Ciel ministro eletto" | George Frideric Handel, Julia Lezhneva, Dmitry Sinkovsky, Il Giardino Armonico, Giovanni Antonini | B Major | 2 | 1B | 106 BPM |