Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack's 'Fort nacheinander! Walzer (Off after one another! Waltz), Op. 16' came out on August 18, 2003. With this song being about 5 minutes long, at 5:15, "Fort nacheinander! Walzer (Off after one another! Waltz), Op. 16" by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Strauss I, J.: Edition - Vol. 2". In this album, this song's track order is #9. Fort nacheinander! Walzer (Off after one another! Waltz), Op. 16 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Fort nacheinander! Walzer (Off after one another! Waltz), Op. 16 by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss I, J & Korngold: Das Lied der Liebe: Flirt-Duett. "Ein kleiner Flirt" (Paulette, Richard) | Erich Wolfgang Korngold, Johann Strauss I, Diana Damrau, Jonas Kaufmann, Ernst Theis, Das Münchner Rundfunkorchester | D Major | 2 | 10B | 80 BPM | ||
Cachucha-Galopp, Op. 97 | Johann Strauss I, Robert Stolz | E Major | 6 | 12B | 139 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
Canon | Johann Pachelbel, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 137 BPM | ||
Bizet / Arr. Guiraud: Carmen Suite No. 2: II. Habanera | Georges Bizet, Seiji Ozawa, Orchestre National De France | D Major | 0 | 10B | 122 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale (Excerpt: Ode to Joy) | Ludwig van Beethoven, Riccardo Muti, Philadelphia Orchestra | D Major | 5 | 10B | 78 BPM | ||
Emperor Waltz | Johann Baptist Strauss II, Westminster Concert Orchestra | C Major | 2 | 8B | 171 BPM | ||
Orchestral Suite in C Major, TWV 55:C3 "Hamburger Ebb und Fluth": VII. Der sturmende Aeolus | Georg Philipp Telemann, Stefano Bagliano, Collegium Pro Musica | F♯ Major | 4 | 2B | 140 BPM | ||
Masquerade Suite: I. Waltz | Aram Khachaturian, Berlin Rundfunk Symphonie Orchester, Horst Stein | C Major | 4 | 8B | 108 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM |