"Gott Hilf Mir, BuxWV 34: Sonata" by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot was released on March 29, 2019. With Gott Hilf Mir, BuxWV 34: Sonata being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 44 out of 50 in Buxtehude: Membra Jesu Nostri by Dietrich Buxtehude, Philippe Pierlot, Ricercar Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Gott Hilf Mir, BuxWV 34: Sonata is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gott Hilf Mir, BuxWV 34: Sonata by Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot is Andante (at a walking pace), since this song has a tempo of 90 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
Viola da gamba Sonata in D Major, A2:50: III. Allegro | Carl Friedrich Abel, Paolo Pandolfo, Amelie Chemin, Andrea Buccarella | D♭ Major | 3 | 3B | 97 BPM | ||
Viola da gamba Sonata in D Major, A2:67: I. Moderato (Excerpt) | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 119 BPM | ||
Recorder Concerto No. 9 in A Minor: IV. Largo e piano | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A♭ Minor | 0 | 1A | 65 BPM | ||
Lyra Viol Consort in A Minor: Coranto, VdGS 59/a6 | John Jenkins, Sophie Gent, Romina Lischka, Philippe Pierlot, François Guerrier | D♭ Major | 0 | 3B | 88 BPM | ||
Prima die Lectio prima: V. Plorans ploravit | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | F♯ Major | 0 | 2B | 103 BPM | ||
St. John Passion: Part One Coro. Herr, unser Herrscher | Johann Sebastian Bach, Ricercar Consort, Hans-Jörg Mammel, Carlos Mena, Philippe Pierlot, Maria Keohane, Jan Kobow | F♯ Minor | 2 | 11A | 76 BPM | ||
Membra Jesu nostri, BuxWV 75: Ad pedes. Sonata | Dietrich Buxtehude, RossoPorpora Ensemble, Walter Testolin | C Minor | 1 | 5A | 98 BPM | ||
Concerto Grosso in E-Flat Major, Op. 7 No. 6 "Il Pianto d'Arianna": IV. Grave | Pietro Locatelli, Isabelle Faust, Il Giardino Armonico, Giovanni Antonini | D Major | 1 | 10B | 134 BPM | ||
Stabat Mater in F Minor, RV 621: No. 5., Quis non posset contristari | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |