Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee made "Who Cares? (after Gershwin): 'S Wonderful - That Certain Feeling" available on July 27, 2010. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hershy Kay, Simon Lee, John Baltimore's "Kay, H.: Who Cares? [Ballet]" album is number 5 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Who Cares? (after Gershwin): 'S Wonderful - That Certain Feeling's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Who Cares? (after Gershwin): 'S Wonderful - That Certain Feeling by Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dream of Olwen - 1988 Remastered Version | Charles Williams, Daniel Adni, Bournemouth Symphony Orchestra, Kenneth Alwyn | F Major | 2 | 7B | 73 BPM | ||
Paquito (Version for Saxophone & Piano) | Andy Scott, Timothy McAllister, Liz Ames | C Minor | 2 | 5A | 65 BPM | ||
Metropolis: III. Furioso: Die Versohnung | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | A♭ Major | 2 | 4B | 96 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM | ||
Love Theme From “Romeo & Juliet” | Roger Williams | B♭ Major | 2 | 6B | 86 BPM | ||
Merry Widow Waltz | Franz Lehár, Pro Musica Symphony Orchestra, Robert Ashley | F Major | 4 | 7B | 79 BPM | ||
Yes!, Act I: Ouverture | Maurice Yvain, Les Frivolités Parisiennes | F Major | 1 | 7B | 83 BPM | ||
Who Cares? (after Gershwin): Sweet and Low Down | Hershy Kay, Viv McLean, Royal Philharmonic Orchestra, Simon Lee | C Major | 1 | 8B | 130 BPM | ||
La traviata, Act I: Brindisi: Libiam ne' lieti calici, "Drinking Song" (arr. for trombone) | Giuseppe Verdi, Robert Elkjer, Joseph Alessi, Warren Jones | C Major | 1 | 8B | 187 BPM | ||
The Tale of Tsar Saltan: The Flight of the Bumble-bee | Nikolai Rimsky-Korsakov, Ludmila Peterková, Irina Kondratenko | G Minor | 1 | 6A | 169 BPM |