"キーboard Sonata in B-Flat Major, Wq. 54/4, H. 206: III. Presto" by Carl Philipp Emanuel Bach, Ana-Marija Markovina was released on April 29, 2014. With キーboard Sonata in B-Flat Major, Wq. 54/4, H. 206: III. Presto being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 11 out of 40 in C.P.E. Bach: The Complete Works for Piano Solo, Vol. 7 by Carl Philipp Emanuel Bach, Ana-Marija Markovina. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of キーboard Sonata in B-Flat Major, Wq. 54/4, H. 206: III. Presto is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of キーboard Sonata in B-Flat Major, Wq. 54/4, H. 206: III. Presto by Carl Philipp Emanuel Bach, Ana-Marija Markovina is Vivace (lively and fast), since this song has a tempo of 167 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite en la: la Triomphante | Jean-Philippe Rameau, Natacha Kudritskaya | E Major | 2 | 12B | 103 BPM | ||
Kuhlau: Sonatina in C Major, op. 20 no. 1, III. Rondo: Allegro | Friedrich Kuhlau, David Ernst Molnar | G Major | 1 | 9B | 123 BPM | ||
Mendelssohn: Fantasie, Op. 28: II. Allegro con moto | Felix Mendelssohn, Doomin Kim | A Major | 0 | 11B | 104 BPM | ||
Die Auferstehung und Himmelfahrt Jesu, H. 777, Wq. 240, Pt. 1: No. 4. Aria, "Mein Geist, voll Furcht und Freude, beben!" (Baritone) | Carl Philipp Emanuel Bach, Karl Wilhelm Ramler, Il Gardellino, Bart Van Reyn, Andreas Wolf | B Minor | 3 | 10A | 85 BPM | ||
Symphony in B-Flat Major, Op. 3, No. 4, W. C4: II. Andantino, sempre piano | Johann Christian Bach, Camerata De Budapest, Hanspeter Gmür | E♭ Major | 0 | 5B | 80 BPM | ||
Liszt Piano For Babies Hungarian Rhapsody Part Three | BABY LULLABIES | F♯ Major | 0 | 2B | 78 BPM | ||
6 Violin Sonatas, Op. 10b No. 4 in E-Flat Major, J. 102: II. Rondo: Vivace | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | E♭ Major | 1 | 5B | 112 BPM | ||
Innocence | Diane Hidy & Keith Snell | F Major | 1 | 7B | 107 BPM | ||
4 Romantic Pieces, Op. 75: No. 2, Allegro maestoso | Antonín Dvořák, Anthony Marwood, Susan Tomes | F Major | 1 | 7B | 141 BPM | ||
Mozart Piano Sonata No 16 Allegro | Jean Luc Joher | E Minor | 1 | 9A | 103 BPM |