"Mozart: Requiem in D Minor, K. 626: X. Hostias" by Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker was released on 1987. With this song being about 5 minutes long, at 4:42, "Mozart: Requiem in D Minor, K. 626: X. Hostias" by Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Riccardo Muti's "Mozart: Requiem" album is number 10 out of 15. Mozart: Requiem in D Minor, K. 626: X. Hostias is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: X. Hostias by Wolfgang Amadeus Mozart, Riccardo Muti, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le nozze di Figaro, K. 492 / Act 1: "Non so più...Ah, son perduto!" | Wolfgang Amadeus Mozart, Frederica von Stade, Lucia Popp, Thomas Allen, Robert Tear, London Philharmonic Orchestra, Sir Georg Solti | E♭ Major | 1 | 5B | 137 BPM | ||
8 Slavonic Dances, Op. 46, B. 83: No. 3 in A-Flat Major | Antonín Dvořák, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 81 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, Luca Pisaroni, Diana Damrau, Ildebrando D'Arcangelo, Vitalij Kowaljow, Mahler Chamber Orchestra, Yannick Nézet-Séguin | F Major | 3 | 7B | 74 BPM | ||
Mass in C minor, K.427 "Grosse Messe": 1. Kyrie | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | C Minor | 1 | 5A | 83 BPM | ||
Verdi: Aïda, Act 1 Scene 1: Romanza, "Se quel guerrier io fossi! … Celeste Aida" (Radames) | Giuseppe Verdi, Plácido Domingo, Philharmonia Orchestra, Riccardo Muti | B♭ Major | 2 | 6B | 114 BPM | ||
Eugene Onegin, Op. 24, TH. 5: Polonaise | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 106 BPM | ||
Mozart: Requiem in D Minor, K. 626: I. Introitus | Wolfgang Amadeus Mozart, Riccardo Muti, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | G Minor | 2 | 6A | 78 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act III Scene 8: Aria - Dove Sono I Bei Momenti? | Donato Di Stefano, Patrizia Pace, Jozsef Mukk, Natale de Carolis, Roberto Frontali, Hungarian State Opera Orchestra, Maria Pia Ionata, Ingrid Kertesi, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | C Major | 1 | 8B | 81 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | D Major | 0 | 10B | 82 BPM | ||
Symphony No. 2 In D, Op. 73: 2. Adagio non troppo - L'istesso tempo, ma grazioso | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | B Major | 1 | 1B | 108 BPM |