"2 Sentimental Romances, Op. 28: II. No.2 in F Minor" by Wilhelm Stenhammar, Ulf Wallin, Malmö Symphony Orchestra, Paavo Järvi was released on November 30, 1994. Since 2 Sentimental Romances, Op. 28: II. No.2 in F Minor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 32 in the song's album "Stenhammar: Symphonies Nos. 1 and 2 / Piano Concertos Nos. 1 and 2 / Orchestral Music". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Sweden. Based on our statistics, 2 Sentimental Romances, Op. 28: II. No.2 in F Minor's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 2 Sentimental Romances, Op. 28: II. No.2 in F Minor by Wilhelm Stenhammar, Ulf Wallin, Malmö Symphony Orchestra, Paavo Järvi having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gloria, FP 144: 4. Domini Fili Unigenite | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 2 | 9B | 113 BPM | ||
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | ||
An Wasserflüssen Babylon, BWV 653b | Johann Sebastian Bach, Jonathan Freeman-Attwood, Daniel-Ben Pienaar | C Major | 2 | 8B | 156 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D♭ Major | 0 | 3B | 174 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Requiem, Op. 48: IV. Sanctus | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | E♭ Major | 0 | 5B | 76 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Widmung, Op.25, No.1 | Robert Schumann, Dietrich Fischer-Dieskau, Christoph Eschenbach | F♯ Major | 0 | 2B | 83 BPM | ||
Lobet den Herrn, alle Heiden, BWV 230 | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | B Major | 3 | 1B | 93 BPM |