"Gloria in Excelsis Deo: Laudamus te...gratius agimus" by George Frideric Handel, Gillian Keith, English Baroque Soloists, John Eliot Gardiner was released on July 3, 2020. The duration of Gloria in Excelsis Deo: Laudamus te...gratius agimus is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Gloria in Excelsis Deo: Laudamus te...gratius agimus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel's "Lavorare con Handel" album is number 35 out of 52. On top of that, United Kingdom appears to be the country where this track was created. Gloria in Excelsis Deo: Laudamus te...gratius agimus is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gloria in Excelsis Deo: Laudamus te...gratius agimus by George Frideric Handel, Gillian Keith, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" | Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | D Minor | 1 | 7A | 114 BPM | ||
Die Entführung Aus Dem Serail - Arie : Ach, iche liebte, war so... | Wolfgang Amadeus Mozart, Sandrine Piau, Freiburger Barockorchester | F Major | 1 | 7B | 122 BPM | ||
Grande Messe des Morts: V. Graduale: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 72 BPM | ||
Solomon: Act I, scene 2 - No.14 Duet. Queen, Solomon "Welcome as the dawn of the day" | George Frideric Handel, Akademie für Alte Musik Berlin, Daniel Reuss, Sarah Connolly, Susan Gritton | B♭ Minor | 1 | 3A | 76 BPM | ||
Mass in B Minor, BWV 232: Confiteor unum baptisma (Chorus) | Johann Sebastian Bach, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F Minor | 2 | 4A | 105 BPM | ||
Handel: Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Emmanuelle Haïm, Denis Comtet | F♯ Minor | 4 | 11A | 132 BPM | ||
Concerto in C Major, H.117, Op. 7: I. Francese Presto | Francesco Geminiani, Café Zimmermann | B Major | 3 | 1B | 112 BPM | ||
Handel: Oboe Concerto in B-Flat Major, HWV 301: IV. Vivace | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 1 | 6B | 132 BPM | ||
Petite messe solennelle: Gloria: Petite messe solennelle: Gloria: II. Laudamus te | Gioachino Rossini, Birgit Remmert, Marcus Creed, RIAS Kammerchor, Hanno Müller-Brachmann, Krassimira Stoyanova, Steve Davislim | F Major | 1 | 7B | 80 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM |