"Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales"" by Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard was released on January 1, 1986. The duration of Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" is about 3 minutes long, at 3:28. Based on our data, "Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #9. In terms of popularity, Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas / Act 2: Ritornelle - "Thanks to these lonesome vales" by Henry Purcell, Marie McLaughlin, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard having a テンポ of 114 with a half-time of 57 テンポ and a double-time of 228 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: XII. Fac ut animae donatur | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Pergolesi: Laudate pueri: II. A solis ortu | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 1 | 11B | 84 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Prologue: Ritornello … "Dal mio permesso amato a voi ne vegno" (La Musica) | Claudio Monteverdi, London Baroque, Charles Medlam, Theresa Caudle, Emma Kirkby | B♭ Minor | 0 | 3A | 91 BPM | ||
Vivaldi: Dixit Dominus in D Major, RV 594: III. Virgam virtutis tuae | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Deborah Norman, Sarah Fox, Stephen Cleobury | D♭ Major | 1 | 3B | 97 BPM | ||
Gloria: Qui tollis peccata mundi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 2 | 6B | 96 BPM | ||
Fauré: Super flumina Babylonis | Gabriel Fauré, Paavo Järvi, Choeur de l'Orchestre de Paris, Laetitia Singleton, Maria Virginia Savastano, Mathias Vidal, Ugo Rabec, Orchestre de Paris | A Minor | 1 | 8A | 115 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 1: Prelude for the Witches - "Wayward sisters, you that fright" (Sorceress, First Witch) - "Harm’s our delight" (Chorus) | Henry Purcell, Emmanuelle Haïm | E Major | 2 | 12B | 80 BPM | ||
Tito Manlio, RV 778, Act I: Combatta un gentil cor | Antonio Vivaldi, Maria Keohane, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 2 | 1B | 108 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 2: "Stay, Prince, and hear Great Jove's command" (Spirit, Aeneas, Sorceress, First Witch, Second Witch) - The Groves Dance | Henry Purcell, Emmanuelle Haïm | A♭ Minor | 2 | 1A | 82 BPM |