Gabriel Fauré, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf, Ulf Forsberg, Matti Hirvikangas, Mats Lidström, Tomas Gertonsson made "Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides" available on June 20, 2023. With Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 35 out of 144 in Classical Sonosphere Vol. 3 by Gabriel Fauré, Antonín Dvořák, Felix Mendelssohn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Fauré: La Bonne Chanson, Op. 61 - 4. J'allais par des chemins perfides by Gabriel Fauré, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf, Ulf Forsberg, Matti Hirvikangas, Mats Lidström, Tomas Gertonsson is Andante (at a walking pace), since this song has a tempo of 95 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.3 in F, Op.90: 3. Poco allegretto | Johannes Brahms, Cleveland Orchestra, Lorin Maazel | C Minor | 0 | 5A | 75 BPM | ||
Fauré: 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major | Gabriel Fauré, Alexandre Tharaud | A♭ Major | 0 | 4B | 69 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Sheku Kanneh-Mason, London Symphony Orchestra, Sir Simon Rattle | E Minor | 1 | 9A | 102 BPM | ||
3 Intermezzi, Op. 117: No. 1, Andante moderato | Johannes Brahms, Hélène Grimaud | E♭ Major | 0 | 5B | 138 BPM | ||
Waltz in F Minor | Vladimir Horowitz, Valery Kuleshov | B♭ Minor | 0 | 3A | 75 BPM | ||
Nocturne No.1 In B Flat Minor, Op.9 No.1 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
Douze valses, Le ruban dénoué: No. 1, Décrets indolents du hasard | Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik | F♯ Minor | 0 | 11A | 104 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits (Melody in B minor) | Christoph Willibald Gluck, Lynn Harrell, Concertgebouw Chamber Orchestra | B Minor | 1 | 10A | 68 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Renaissance, Book 2: Sarabande (Lully) | Leopold Godowsky, Konstantin Scherbakov | E Minor | 0 | 9A | 94 BPM |