"Douze valses, Le ruban dénoué: No. 1, Décrets indolents du hasard" by Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik was released on January 1, 1992. With Douze valses, Le ruban dénoué: No. 1, Décrets indolents du hasard being less than two minutes long, at 1:26, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik's "Hahn: Intégrale de l'œuvre pour deux pianos, Vol. 1" album is number 14 out of 25. In terms of popularity, Douze valses, Le ruban dénoué: No. 1, Décrets indolents du hasard is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Douze valses, Le ruban dénoué: No. 1, Décrets indolents du hasard by Reynaldo Hahn, Huseyin Sermet, Kun-Woo Paik to be Andante (at a walking pace) because the track has a tempo of 104 テンポ, a half-time of 52テンポ, and a double-time of 208 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
Carmen Variations | Vladimir Horowitz | E Major | 2 | 12B | 148 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | C Minor | 0 | 5A | 177 BPM | ||
Récitatif et chant (After Holmès's "La vision de la reine") | Reynaldo Hahn, Steven Isserlis, Connie Shih | A Major | 1 | 11B | 72 BPM | ||
Khachaturian: Children's Album, Book I, Op. 62: No. 1, Andantino | Aram Khachaturian, Alexandre Tharaud | A♭ Major | 0 | 4B | 90 BPM | ||
Romance in A Major, Op. 69 | Reynaldo Hahn, Steven Isserlis, Connie Shih | A Major | 1 | 11B | 72 BPM | ||
Valse Mélancolique | Vladimir Rebikov, Christopher Ferreira | B Minor | 1 | 10A | 113 BPM | ||
L'île du rêve, Acte 1: I. Scène. Ô pays de Bora-Bora | Reynaldo Hahn, Munich Radio Orchestra, Herve Niquet, Chœur du Concert Spirituel, Hélène Guilmette | E♭ Major | 1 | 5B | 82 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM |