"Tenebrae factae sunt" by Tomás Luis de Victoria, Ensemble Corund, Stephen Smith was released on January 1, 2006. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Victoria, T.L. De: Vocal Music (Tenebrae Responsories) by Tomás Luis de Victoria, Stephen Smith. The song's track number on the album is #8 out of 18 tracks. Based on our data, United States was the country where this track was produced or recorded. Tenebrae factae sunt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tenebrae factae sunt by Tomás Luis de Victoria, Ensemble Corund, Stephen Smith has a tempo of 69 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Tenebrae factae sunt being at 69 テンポ, the half-time would be 34 テンポ with a double-time of 138 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flos florum | Guillaume Dufay, Blue Heron, Scott Metcalfe | G Minor | 1 | 6A | 68 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Ave Maria, gratia plena a 8 | Tomás Luis de Victoria, Saint Clement's Choir, Philadelphia, Peter Richard Conte | A Minor | 2 | 8A | 101 BPM | ||
Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn II - Unus ex discipulis meis tradet me hodie | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | A♭ Minor | 1 | 1A | 78 BPM | ||
Missa Quadragesimalis, MH 552: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 1 | 1A | 0 BPM | ||
Hodie Nobis Caelorum Rex | The Rose Ensemble, Jordan Sramek | G Minor | 2 | 6A | 73 BPM | ||
Ola Gjeilo: Tota pulchra es | Ola Gjeilo, Schola Cantorum, Tone Bianca Sparre Dahl | E Major | 1 | 12B | 131 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Ich bin die Auferstehung und das Leben, SWV 464 | Heinrich Schütz, Vox Luminis, Lionel Meunier | D Minor | 1 | 7A | 134 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: V. Glory Be to Thee | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM |