"Carnival of the Animals, R. 125: XIII. The Swan" by Camille Saint-Saëns, Lang Lang, Gina Alice, Christian Giger, Andris Nelsons was released on February 29, 2024. The duration of Carnival of the Animals, R. 125: XIII. The Swan is about 3 minutes long, at 3:09. Based on our data, "Carnival of the Animals, R. 125: XIII. The Swan" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "Saint-Saëns". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Based on our statistics, Carnival of the Animals, R. 125: XIII. The Swan's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnival of the Animals, R. 125: XIII. The Swan by Camille Saint-Saëns, Lang Lang, Gina Alice, Christian Giger, Andris Nelsons having a テンポ of 126 with a half-time of 63 テンポ and a double-time of 252 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturnes, Op. 32: II. Lento (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | C Minor | 3 | 5A | 76 BPM | ||
Davidsbündlertänze, Op. 6: No. 2. Innig | Robert Schumann, Boris Giltburg | B Major | 0 | 1B | 70 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: Introduction and Royal March of the Lion | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | G Major | 3 | 9B | 184 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Angela Hewitt | A Major | 3 | 11B | 154 BPM | ||
25 Ètudes Faciles Et Progressives, Op. 100: VII. Courant Limpide | Franz Burgmüller, Benedikt David | D Major | 1 | 10B | 134 BPM | ||
Requiem, Op. 48: VII. In paradisium (Arr. Naoumoff for Piano) | Gabriel Fauré, Lang Lang | D Major | 0 | 10B | 71 BPM | ||
Symphony No. 1 in C Minor, Op. 32: II. Adagio cantabile | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | A♭ Major | 0 | 4B | 131 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Die Rose, Romanze aus der Oper Zemir und Azor, S571/R259 (Spohr) | Franz Liszt, Soyeon Kate Lee | E Major | 0 | 12B | 65 BPM | ||
Sonata for Cello and Piano No. 2 in F Major, Op. 123: I. Maestoso, largamente | Camille Saint-Saëns, Emmanuelle Bertrand, Pascal Amoyel | F Major | 1 | 7B | 79 BPM |