"Symphony No. 1 in C Minor, Op. 32: II. Adagio cantabile" by Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki was released on January 1, 2000. Since Symphony No. 1 in C Minor, Op. 32: II. Adagio cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Farrenc: Symphonies Nos. 1 and 3 by Louise Farrenc, Johannes Goritzki. Based on our statistics, Symphony No. 1 in C Minor, Op. 32: II. Adagio cantabile's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 in C Minor, Op. 32: II. Adagio cantabile by Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 2 in C Minor, H.25 | John Field, Elizabeth Joy Roe | C Minor | 1 | 5A | 80 BPM | ||
Tchaikovsky / Arr. Stetsuk for Cello and Orchestra: 16 Children's Songs, Op. 54: No. 10, Lullaby in a Storm | Pyotr Ilyich Tchaikovsky, Alexander Kniazev, Constantine Orbelian, Moscow Chamber Orchestra | D Minor | 0 | 7A | 89 BPM | ||
10 Preludes, Op. 23: No. 10 in G-Flat Major (Largo) | Sergei Rachmaninoff, Vladimir Ashkenazy | E Major | 0 | 12B | 89 BPM | ||
The Moon on the Ruined Castle (Arr. Cello & Piano) | Taki Rentarou, Lynn Harrell, Bruno Canino | C Minor | 0 | 5A | 84 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Clarinet Trio in E-Flat Major, Op. 44: IV. Finale: Allegro | Louise Farrenc, Dieter Klöcker, Peter Horr, Werner Genuit | E♭ Major | 1 | 5B | 135 BPM | ||
Piano Trio No. 2 in D Minor, Op. 34: III. Rondo. Allegro | Louise Farrenc, Linda di Carlo, Amedeo Cicchese, Sergey Galaktionov | B♭ Major | 1 | 6B | 125 BPM | ||
Kinderszenen, Op. 15: 7. Träumerei (Arr. Cello & Piano) | Robert Schumann, Lynn Harrell, Bruno Canino | F Major | 0 | 7B | 67 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Chamber Concerto in D Major, RV 95, "La pastorella" (arr. for recorder and orchestra): II. Largo | Antonio Vivaldi, László Kecskeméti, Nicolaus Esterhazy Sinfonia | D Major | 0 | 10B | 56 BPM |