"Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales" by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin was released on 1994. The duration of Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 12 in Clér\mbault - Chants et Motets pour la Royale Maison de Saint-Louis by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Emmanuel Mandrin. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales by Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin is Allegro (fast, quick, and bright), since this song has a tempo of 133 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in G Minor, Op. 5 No. 5 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): V. Giga (Allegro) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | F Minor | 0 | 4A | 124 BPM | ||
Sonate No.5 (Six Sonates en symphonies op. 3): 2. Aria: Gratioso | Jean-Joseph Cassanéa De Mondonville, Les Musiciens du Louvre, Marc Minkowski | F♯ Minor | 0 | 11A | 106 BPM | ||
Sonata No. 7 in E Minor "La magnifique": IV. Sarabande | Louis-Nicolas Clérambault, Barthold Kuijken, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 103 BPM | ||
Hamburg Symphony No. 6 in E Major, Wq. 182: III. Allegro spirituoso | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Sonata in F minor, Wq 63/6: I. Finale | Carl Philipp Emanuel Bach, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 100. Gigue a l'angloise. Très vivement | Marin Marais, Mieneke van der Velden, Glen Wilson | F♯ Major | 2 | 2B | 117 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: IV. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A Major | 1 | 11B | 41 BPM | ||
Bassoon Concerto in G Major: II. Largo | Christoph Graupner, Paolo Tognon, Capella Savaria, Pál Németh | F♯ Major | 0 | 2B | 78 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM | ||
Stabat Mater in F Minor, RV 621: No. 2., Cuius animam gementem | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | B Minor | 1 | 10A | 113 BPM |