Peter Abelard, Augsburg Early Music Ensemble's 'Dolorum solatium, "Planctus David super Saul et Jonatha"' came out on January 1, 1990. Since Dolorum solatium, "Planctus David super Saul et Jonatha" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vocal Music - Hildegard Of Bingen / Abelard, P. (Hildegard Von Bingen and Her Time) (Ensemble Fur Fruhe Musik Augsburg) by Augsburg Early Music Ensemble. The song's track number on the album is #5 out of 14 tracks. In terms of popularity, Dolorum solatium, "Planctus David super Saul et Jonatha" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Dolorum solatium, "Planctus David super Saul et Jonatha" by Peter Abelard, Augsburg Early Music Ensemble has a tempo of 94 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Dolorum solatium, "Planctus David super Saul et Jonatha" being at 94 テンポ, the half-time would be 47 テンポ with a double-time of 188 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ockeghem: Missa pro Defunctis: I. Requiem aeternam | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | F Major | 0 | 7B | 83 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
Notre Père | Sexteto Cantábile | F♯ Major | 1 | 2B | 84 BPM | ||
Carminibus festos / O requies populi | Antonius Romanus, La Reverdie, Claudia Caffagni | A Minor | 1 | 8A | 67 BPM | ||
Messe de Notre-Dame: IX. Sanctus | Guillaume de Machaut, Ensemble Organum, Marcel Pérès | F Major | 2 | 7B | 96 BPM | ||
Basse danse la Magdalena | Pierre Attaingnant, Ulsamer Collegium, Josef Ulsamer | D Minor | 0 | 7A | 83 BPM | ||
Rondeau-refrain | Matteo da Perugia, Ferrara Ensemble, Crawford Young | G Minor | 0 | 6A | 81 BPM | ||
O sácrum convívium | Antonio de Salazar, Horacio Franco, Cappella Cervantina | A♭ Major | 3 | 4B | 92 BPM | ||
Li noviaus tens | Chastelain de Couci, James Bowman, Early Music Consort Of London, David Munrow | C Major | 1 | 8B | 171 BPM | ||
Cantigas de Santa Maria, No. 340: Virgen Madre Groriosa | Alfonso X El Sabio, Esther Lamandier | G Major | 1 | 9B | 82 BPM |