"Ophélie, V. 21, 1re version (Seconde étude symphonique)" by Guillaume Lekeu, Orchestre Philharmonique Royal de Liège, Pierre Bartholomée had its release date on 1990. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Guillaume Lekeu, Orchestre Philharmonique Royal de Liège, Pierre Batholomée's "Lekeu: Œuvres orchestrales I" album is number 4 out of 6. Ophélie, V. 21, 1re version (Seconde étude symphonique) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ophélie, V. 21, 1re version (Seconde étude symphonique) by Guillaume Lekeu, Orchestre Philharmonique Royal de Liège, Pierre Bartholomée to be Adagio (slowly with great expression) because the track has a tempo of 71 テンポ, a half-time of 36テンポ, and a double-time of 142 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in an Old Style in A minor, op.10: 1. Presto | Christian Sinding, Ryu Goto, Philharmonia Orchestra, Christopher Warren-Green | D Minor | 1 | 7A | 87 BPM | ||
Noure et Anitra, Op. 13: No. 7, Berceuse (Arr. A. Moffat for Violin & Piano) | Alexander Ilyinsky, Rachel Barton Pine, Matthew Hagle | G Major | 0 | 9B | 95 BPM | ||
Carnival of the Animals: XIII. Le Cygne (The Swan) | Camille Saint-Saëns, Gregor Piatigorsky, Ralph Berkowitz | G Major | 1 | 9B | 68 BPM | ||
Oh! Weep for Those (Arr. Isserlis) | Isaac Nathan, Steven Isserlis, Connie Shih | A Minor | 0 | 8A | 79 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Chamber Orchestra of Europe, Yannick Nézet-Séguin | B♭ Major | 0 | 6B | 80 BPM | ||
Piano Quartet in E Flat Major, Op. 47: III. Andante cantabile | Robert Schumann, André Previn | B♭ Major | 0 | 6B | 89 BPM | ||
Lieder Ohne Worte, Fünftes Heft, Op. 62 (Arr. for Violin and Piano by Ferdinand David): I. Andante espressivo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM | ||
Spazi Vuoti | Alessandro Gozzo, Cats Rule the World | B♭ Major | 0 | 6B | 168 BPM | ||
Brahms: 3 Intermezzi, Op. 117: No. 1 in E-Flat Major | Johannes Brahms, Lars Vogt | E♭ Major | 0 | 5B | 72 BPM | ||
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVc. Pas de deux. Coda | Igor Stravinsky, Thomas Adès, Anthony Marwood | D Minor | 2 | 7A | 100 BPM |