"The Queen's Farewell – The Queen's Farewell" by James Paisible, Thomas Tollett, Lingua Franca, Benoît Laurent was released on March 4, 2013. With this song being about 5 minutes long, at 4:31, "The Queen's Farewell – The Queen's Farewell" by James Paisible, Thomas Tollett, Lingua Franca, Benoît Laurent is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Purcell, Morley & Tomkins: English Royal Funeral Music". In this album, this song's track order is #2. The Queen's Farewell – The Queen's Farewell is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Queen's Farewell – The Queen's Farewell by James Paisible, Thomas Tollett, Lingua Franca, Benoît Laurent having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mystery (Rosary) Sonata: No. 2 in A Major “The Visitation”: II. Allaman | Heinrich Ignaz Franz von Biber, Alan Choo, Jeannette Sorrell | B Major | 1 | 1B | 95 BPM | ||
Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Piangono al pianger mio | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Uns ist ein Kind geboren: I. Sonata | Johann Kuhnau, Camerata Lipsiensis, Gregor Meyer | A♭ Minor | 1 | 1A | 103 BPM | ||
She Wou'd and She Wou'd Not: VI. Gavotte | James Paisible, The London Oboe Band, Paul Goodwin | D♭ Major | 2 | 3B | 108 BPM | ||
Sonata da chiesa a tre in F Major, Op. 1 No. 1: II. Allegro | Arcangelo Corelli, The Avison Ensemble, Pavlo Beznosiuk | E♭ Major | 2 | 5B | 105 BPM | ||
Marais: Pièces en trio: Suite No. 1 en do majeur: III. Seconde sarabande | Marin Marais, Ensemble Amalia | B Major | 0 | 1B | 70 BPM | ||
Suite in A Minor: I. Prélude | Robert de Visée, Jakob Lindberg | D Minor | 0 | 7A | 93 BPM | ||
Médée, H. 491, Prologue: Menuet en rondeau | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet | G Minor | 3 | 6A | 64 BPM | ||
Sonata for Violoncello and Continuo in A Minor, RV 43: III. Largo | Antonio Vivaldi, Josetxu Obregon, La Ritirata | D Major | 1 | 10B | 115 BPM |