"Sigurd Lie: Konsertstykke for Fiolin og Orkester" by Sigurd Lie, Kristiansand Symfoniorkester, Terje Tonnesen, Terje Boye Hansen was released on March 18, 2005. Since Sigurd Lie: Konsertstykke for Fiolin og Orkester is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "Sigurd Lie (1871-1904)". In this album, this song's track order is #5. Sigurd Lie: Konsertstykke for Fiolin og Orkester is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sigurd Lie: Konsertstykke for Fiolin og Orkester by Sigurd Lie, Kristiansand Symfoniorkester, Terje Tonnesen, Terje Boye Hansen having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dispersed And Transcendental Chants, Op. 18: Chant 8. The Word | Julián De La Chica, Briana Hunter, Eric Sedgwick | G Minor | 0 | 6A | 75 BPM | ||
Love Sweet: I. Apology | Jennifer Higdon, Sarah Shafer, Lysander Piano Trio | D Major | 1 | 10B | 117 BPM | ||
Concert Piece "Huldra Aa'n Elland" for Violin and Orchestra | Sigurd Lie, Ragnhild Hemsing, Bergen Philharmonic Orchestra, Eivind Aadland | E Minor | 1 | 9A | 88 BPM | ||
Seks sange: IV. Moderens vuggesang | Sigurd Lie, Vilhelm Krag, Marianne Beate Kielland, Nils Anders Mortensen | G Major | 1 | 9B | 169 BPM | ||
Sne | Sigurd Lie, Kirsten Flagstad | B Minor | 3 | 10A | 86 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
In Windsor Forest: No. 1, The Conspiracy | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | E Minor | 1 | 9A | 72 BPM | ||
The Crucifixion: Recitative: Is it nothing to you? (Bass) | John Stainer, James Gilchrist, Simon Bailey, Stephen Farr, Choir of Clare College, Cambridge, Tim Brown | A♭ Major | 1 | 4B | 84 BPM | ||
Sechs deutsche Lieder, Opus 41: Nr. 5 Der erste Kuss (Arr. für Stimme und Gitarre von Boris Tesic) | Louis Spohr, Duo Sjelle, Boris Tesic, Christine Brinkmann | E Major | 1 | 12B | 113 BPM | ||
6 Lieder, Op. 56, TrV 220: No. 1, Gefunden | Richard Strauss, Hanna-Elisabeth Müller, Juliane Ruf | B♭ Minor | 1 | 3A | 163 BPM |