Johann Sebastian Bach, Nick Pritchard, William Thomas, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner made "Johannes-Passion, BWV 245 / Part One: No. 2 "Jesus ging mit seinen Jüngern"" available on March 4, 2022. The duration of Johannes-Passion, BWV 245 / Part One: No. 2 "Jesus ging mit seinen Jüngern" is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Johannes-Passion, BWV 245 / Part One: No. 2 "Jesus ging mit seinen Jüngern"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 40 in Bach, J.S.: St. John Passion, BWV 245 by Johann Sebastian Bach, English Baroque Soloists, The Monteverdi Choir, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Johannes-Passion, BWV 245 / Part One: No. 2 "Jesus ging mit seinen Jüngern" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Johannes-Passion, BWV 245 / Part One: No. 2 "Jesus ging mit seinen Jüngern" by Johann Sebastian Bach, Nick Pritchard, William Thomas, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Credo, ZWV 32: I. Credo | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | D♭ Minor | 3 | 12A | 110 BPM | ||
Viola da gamba Sonata in G Major, BWV 1027 (Arr. for Cello & Piano): II. Allegro ma non tanto | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | A Major | 1 | 11B | 140 BPM | ||
Handel: Antiphon in D Minor, HWV 269 "Alleluja, Amen" | George Frideric Handel, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | E Major | 2 | 12B | 137 BPM | ||
I. Mache Dich, Mein Geist, Bereit BWV 115, (1) Coro: Mache Dich, Mein Geist, Bereit | Pieter Jan Leusink, Nico Van Der Meel, Peter Frankenberg, Doretthe Janssens, Bas Ramselaar, Marjon Strijk, Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach | F♯ Major | 1 | 2B | 112 BPM | ||
Stabat Mater in G Minor: I. Stabat Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | E Minor | 2 | 9A | 143 BPM | ||
Missa Dolorosa: VI. Agnus Dei | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
The Fairy Queen / Act 5: Epithalamium - Thrice Happy Lovers | Henry Purcell, Eiddwen Harrhy, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
St. John Passion: Part One Coro. Herr, unser Herrscher | Johann Sebastian Bach, Ricercar Consort, Hans-Jörg Mammel, Carlos Mena, Philippe Pierlot, Maria Keohane, Jan Kobow | F♯ Minor | 2 | 11A | 76 BPM | ||
Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM |