"Mendelssohn: Paulus, Op. 36, MWV A14, Pt. 1: No. 7, Rezitativ und Chor. "Sie aber stürmten auf ihn ein "" by Felix Mendelssohn, Rafael Frühbeck de Burgos, Chor des Städtischen Musikvereins zu Düsseldorf, Werner Hollweg, Düsseldorfer Symphoniker was released on 1987. With Mendelssohn: Paulus, Op. 36, MWV A14, Pt. 1: No. 7, Rezitativ und Chor. "Sie aber stürmten auf ihn ein " being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Felix Mendelssohn, Rafael Frühbeck de Burgos, Düsseldorfer Symphoniker's "Mendelssohn: Paulus op.36" album is number 8 out of 45. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Mendelssohn: Paulus, Op. 36, MWV A14, Pt. 1: No. 7, Rezitativ und Chor. "Sie aber stürmten auf ihn ein "'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mendelssohn: Paulus, Op. 36, MWV A14, Pt. 1: No. 7, Rezitativ und Chor. "Sie aber stürmten auf ihn ein " by Felix Mendelssohn, Rafael Frühbeck de Burgos, Chor des Städtischen Musikvereins zu Düsseldorf, Werner Hollweg, Düsseldorfer Symphoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 139 テンポ, a half-time of 70テンポ, and a double-time of 278 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Preludes, Op. 17: No. 3 in D-Flat Major | Alexander Scriabin, Maria Lettberg | A Major | 2 | 11B | 103 BPM | ||
Etude-fantasie in E-Flat Major, Op. 4, "Les Vagues" | Vladimir Horowitz, Valery Kuleshov | G Minor | 1 | 6A | 67 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Trio In G Minor, BWV 929 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Five pieces for Two Violins and Piano: I. Prelude- Moderato | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
13 Pieces, Op. 76: No. 10 Elegiaco | Jean Sibelius, Håvard Gimse | D♭ Minor | 0 | 12A | 68 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
The Lark | Evgeny Kissin | C Minor | 0 | 5A | 69 BPM |