Edvard Grieg, Wiener Philharmoniker, Zubin Mehta's 'Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King' came out on May 29, 2015. The duration of Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King is about 3 minutes long, at 3:12. Based on our data, "Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Sommernachtskonzert 2015 / Summer Night Concert 2015". In this album, this song's track order is #10. The popularity of Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King by Edvard Grieg, Wiener Philharmoniker, Zubin Mehta having a テンポ of 181 with a half-time of 90 テンポ and a double-time of 362 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Sylvia: Pizzicato | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | E♭ Major | 0 | 5B | 159 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Orpheus in the Underworld: Cancan | Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker | D Major | 6 | 10B | 152 BPM | ||
Pictures at an Exhibition (Orch. Ravel): IV. Bydlo | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A Major | 1 | 11B | 90 BPM | ||
Isabella: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | D Major | 3 | 10B | 102 BPM | ||
Elfentanz, Op. 39 - Dance of the Elves | David Popper, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov | G Major | 4 | 9B | 96 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, Gustavo Dudamel, Wiener Philharmoniker | B♭ Minor | 1 | 3A | 91 BPM | ||
Hungarian Dance No.6 In D Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | D Major | 2 | 10B | 153 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 108 BPM |