"Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend" by Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan was released on January 1, 2003. With Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz's "Mahler: Symphony No. 2" album is number 7 out of 42. In terms of popularity, Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.2 in C minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Etwas drängend by Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carolinen-Galopp, Op. 21a | Johann Strauss I, Daniel Barenboim, Wiener Philharmoniker | B♭ Major | 2 | 6B | 151 BPM | ||
Wer tanzt mit? Polka schnell, Op. 251 | Eduard Strauss, Franz Welser-Möst, Wiener Philharmoniker | D Major | 4 | 10B | 83 BPM | ||
Apollon Musagète (1947 Version): Variation d'Apollon (Apollon et les Muses) | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | G Minor | 0 | 6A | 64 BPM | ||
Bouquet-Polka, Polka schnell, Op. 188 | Josef Strauss, Daniel Barenboim, Wiener Philharmoniker | D Major | 5 | 10B | 90 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: Ritual of the Rival Tribes | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | C Minor | 4 | 5A | 82 BPM | ||
Romeo and Juliet, Op.64 - Act 3: Juliet Alone | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | C Major | 0 | 8B | 118 BPM | ||
Symphony No.8 In C Minor - Ed. Haas: 1. Allegro moderato | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | A♭ Major | 1 | 4B | 97 BPM | ||
Suite pastorale: IV. Scherzo-Valse | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 161 BPM | ||
Valses nobles et sentimentales, M.61: 6. Assez vif | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 100 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM |