New York Chamber Ensemble, Julia Parks, Margaret Bishop, Richard "Groove" Holmes, Carl Halvorson's 'Gallantry, A Soap Opera: How good to see that' came out on September 1, 1995. The duration of Gallantry, A Soap Opera: How good to see that is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Gallantry, A Soap Opera: How good to see that's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in New York Chamber Ensemble's "Happy Endings: Comic Chamber Operas" album is number 7 out of 31. Based on our statistics, Gallantry, A Soap Opera: How good to see that's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Gallantry, A Soap Opera: How good to see that by New York Chamber Ensemble, Julia Parks, Margaret Bishop, Richard "Groove" Holmes, Carl Halvorson to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in A: Symphony in A: III. Allegretto | Douglas Moore, Japan Philharmonic Orchestra, William Strickland | A Major | 2 | 11B | 92 BPM | ||
Sea Pictures, Op. 37: No. 3, Sabbath Morning at Sea | Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A Minor | 1 | 8A | 96 BPM | ||
Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Major | 1 | 8B | 77 BPM | ||
32. Hearts do not break! They sting and ache | Arthur Sullivan, Lyndsie Holland, Royal Philharmonic Orchestra, Royston Nash | D♭ Major | 2 | 3B | 82 BPM | ||
Candide / Act I: 2. Life Is Happiness Indeed | Leonard Bernstein, June Anderson, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Orchestra | G Major | 2 | 9B | 120 BPM | ||
Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen | Franz Lehár, Boje Skovhus, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 72 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Candide / Act II: 31. Make Our Garden Grow (Finale) | Leonard Bernstein, June Anderson, Della Jones, Christa Ludwig, Jerry Hadley, Nicolai Gedda, Kurt Ollmann, Adolph Green, London Symphony Orchestra, London Symphony Chorus | C Major | 2 | 8B | 168 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Cavalleria rusticana: Voi lo sapete | Pietro Mascagni, Agnes Baltsa, Munich Radio Orchestra, Heinz Wallberg | A Major | 1 | 11B | 123 BPM |