"L'Orfeo, Atto terzo: VII. Sinfonia" by Claudio Monteverdi, Jordi Savall, Furio Zanasi, Le Concert Des Nations was released on June 8, 2015. The duration of L'Orfeo, Atto terzo: VII. Sinfonia is about 3 minutes long, at 3:20. Based on our data, "L'Orfeo, Atto terzo: VII. Sinfonia" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 7 out of 32 in Claudio Monteverdi: L'Orfeo by Claudio Monteverdi, Jordi Savall. In terms of popularity, L'Orfeo, Atto terzo: VII. Sinfonia is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Orfeo, Atto terzo: VII. Sinfonia by Claudio Monteverdi, Jordi Savall, Furio Zanasi, Le Concert Des Nations is Andante (at a walking pace), since this song has a tempo of 101 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 1: "Whence could so much virtue spring?" | Henry Purcell, Catherine Bott, Emma Kirkby, Julianne Baird, Academy of Ancient Music, Christopher Hogwood | B Minor | 0 | 10A | 170 BPM | ||
Magnificat en ré majeur, BWV 243: IV. Omnes generationes | Johann Sebastian Bach, Jordi Savall, La Capella Reial De Catalunya, Le Concert Des Nations | F Minor | 7 | 4A | 100 BPM | ||
Pergolesi: Laudate pueri Dominum: IV. Quis sicut Dominus | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Major | 1 | 2B | 81 BPM | ||
Salve Regina in F minor: 4. Et Jesum | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | D Major | 1 | 10B | 92 BPM | ||
Missa Azzolina: Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Major | 1 | 11B | 78 BPM | ||
Quintetto No. 4 in Re Maggiore "Fandango" per Corda e Chitarra, G. 448: Pastorale | Luigi Boccherini, Jordi Savall, Rolf Lislevand, Le Concert Des Nations | A Major | 0 | 11B | 128 BPM | ||
Pergolesi: Stabat Mater, P. 77: X. Fac ut portem Christi mortem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | A Major | 0 | 11B | 128 BPM | ||
Adoramus te - Anonymous (Montecassino Songbook) | T Rad, Jordi Savall, La Capella Reial De Catalunya, Hespèrion XXI | E Minor | 0 | 9A | 136 BPM | ||
Corrente italiana | Juan Cabanilles, Jordi Savall | D Minor | 2 | 7A | 136 BPM | ||
Ouverture No. 3, BWV 1068: II. Air | Johann Sebastian Bach, Jordi Savall | D♭ Major | 0 | 3B | 97 BPM |