Gaetano Donizetti, Valery Gergiev, Piotr Beczala, Vladislav Sulimsky, Mariinsky Orchestra's 'Lucia di Lammermoor, Act III, Scene I: No. 11a Uragano. Scena e Duetto "Orrida e questa notte"' came out on July 25, 2011. The duration of Lucia di Lammermoor, Act III, Scene I: No. 11a Uragano. Scena e Duetto "Orrida e questa notte" is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Lucia di Lammermoor, Act III, Scene I: No. 11a Uragano. Scena e Duetto "Orrida e questa notte"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 33 in Donizetti: Lucia di Lammermoor by Gaetano Donizetti, Natalie Dessay, Valery Gergiev, Vladislav Sulimsky, Piotr Beczala, Ilya Bannik, Mariinsky Orchestra, Mariinsky Chorus. Lucia di Lammermoor, Act III, Scene I: No. 11a Uragano. Scena e Duetto "Orrida e questa notte" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lucia di Lammermoor, Act III, Scene I: No. 11a Uragano. Scena e Duetto "Orrida e questa notte" by Gaetano Donizetti, Valery Gergiev, Piotr Beczala, Vladislav Sulimsky, Mariinsky Orchestra is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma (1997 - Remaster), Act I, Scene 1: Casta diva (Norma/Coro) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | F Major | 1 | 7B | 140 BPM | ||
Cilea: Adriana Lecouvreur, Act 4: "Poveri fiori" (Adriana Lecouvreur) | Francesco Cilea, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Minor | 1 | 7A | 58 BPM | ||
Tosca | Renata Tebaldi | E♭ Major | 2 | 5B | 84 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Roberto Alagna, Angela Gheorghiu, Simon Keenlyside, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | C Major | 1 | 8B | 83 BPM | ||
La Bohème / Act I: "Quando Me'n Vò" | Giacomo Puccini, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Minor | 2 | 11A | 135 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act 2: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | E Minor | 2 | 9A | 166 BPM | ||
Poliuto (1997 Digital Remaster), ATTO SECONDO, Scena prima: Veleno è l'aura ch'io respiro! (Poliuto/Un Christiano) | Gaetano Donizetti, Salvatore Cammarano, Franco Corelli, Virgilio Carbonari, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E Major | 5 | 12B | 105 BPM | ||
La fille du régiment: Il faut partir | Gaetano Donizetti, Julie Fuchs, Orchestre national d'île-de-France, Enrique Mazzola | F Minor | 1 | 4A | 70 BPM | ||
Mon coeur s'ouvre à ta voix | Camille Saint-Saëns, Christa Ludwig, Giuseppe Patanè | C Major | 1 | 8B | 77 BPM | ||
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" | Georges Bizet, Marilyn Horne, Wiener Opernchor, Wiener Opernorchester, Henry Lewis | D Major | 2 | 10B | 129 BPM |