"The Goldwyn Follies (arr. for piano and orchestra): Love Is Here To Stay" by George Gershwin, Peter Breiner, Peter Breiner Symphonic Pop Orchestra was released on June 10, 1992. With this song being about 5 minutes long, at 4:34, "The Goldwyn Follies (arr. for piano and orchestra): Love Is Here To Stay" by George Gershwin, Peter Breiner, Peter Breiner Symphonic Pop Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 11 in the song's album "Unchained Melody". In this album, this song's track order is #3. The Goldwyn Follies (arr. for piano and orchestra): Love Is Here To Stay is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Goldwyn Follies (arr. for piano and orchestra): Love Is Here To Stay by George Gershwin, Peter Breiner, Peter Breiner Symphonic Pop Orchestra having a テンポ of 69 with a half-time of 34 テンポ and a double-time of 138 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gershwin / Arr Turrin: Someone to Watch Over Me | George Gershwin, Alison Balsom | E♭ Major | 0 | 5B | 70 BPM | ||
Sicilienne, Op. 78 (arr. for orchestra) | Gabriel Fauré, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 1 | 5B | 103 BPM | ||
Les Contes d'Hoffmann / Act 4: Entr'acte (Barcarolle) | Jacques Offenbach, Staatskapelle Dresden, Silvio Varviso | D Major | 0 | 10B | 121 BPM | ||
Gladiolus Rag | Scott Joplin, Joshua Rifkin | D♭ Major | 2 | 3B | 133 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
Girl Crazy (Arr. For Trumpet And Piano): But Not For Me | Peter Breiner, Juray Bartos, George Gershwin | B♭ Major | 1 | 6B | 141 BPM | ||
Tuba Concerto in F Minor: II. Romanza | Ralph Vaughan Williams, James Gourlay, Royal Ballet Sinfonia, Gavin Sutherland | B Minor | 1 | 10A | 84 BPM | ||
Gershwin: George Gershwin's Songbook: IV. Fascinating Rhythm | George Gershwin, Yehudi Menuhin, Stéphane Grappelli, Max Harris | G Major | 3 | 9B | 110 BPM | ||
The Tempest: Suite No. 2, Op. 109: VI. Miranda | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | A Minor | 1 | 8A | 109 BPM | ||
The Gadfly Suite, Op. 97a: VIII. Romance | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 139 BPM |