Franz Joseph Haydn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan's 'Die Schöpfung, Hob. XXI:2 / Erster Teil: 3. Rezitativ: "Und Gott machte das Firmament"' came out on January 1, 1969. With Die Schöpfung, Hob. XXI:2 / Erster Teil: 3. Rezitativ: "Und Gott machte das Firmament" being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, Herbert von Karajan's "Haydn: Die Schöpfung" album is number 4 out of 33. Die Schöpfung, Hob. XXI:2 / Erster Teil: 3. Rezitativ: "Und Gott machte das Firmament" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Schöpfung, Hob. XXI:2 / Erster Teil: 3. Rezitativ: "Und Gott machte das Firmament" by Franz Joseph Haydn, Walter Berry, Berliner Philharmoniker, Herbert von Karajan to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Divertimento in B Flat Major, K. 137: II. Allegro di molto | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 156 BPM | ||
Symphony No. 88 in G Major, Hob. 1/88: IV. Finale | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | D Major | 3 | 10B | 138 BPM | ||
Keyboard Concerto in F Major, Hob.XVIII:7: II. Adagio | Joseph Haydn, Ketil Haugsand, Cologne Chamber Orchestra, Helmut Muller-Bruhl | G Major | 2 | 9B | 157 BPM | ||
Così fan tutte, K. 588: Act 1: Quintetto "Sento, O Dio" | Wolfgang Amadeus Mozart, Concerto Köln, Marcel Boone, René Jacobs, Bernarda Fink, Véronique Gens, Werner Güra, Pietro Spagnoli | E♭ Major | 1 | 5B | 117 BPM | ||
Mass In B Minor, BWV 232 / Gloria: Gloria in excelsis Deo | Johann Sebastian Bach, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | D Major | 5 | 10B | 160 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Credo: Et resurrexit | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 3 | 10B | 121 BPM | ||
Götterdämmerung, WWV 86D / Dritter Aufzug: "War das sein Horn?" | Richard Wagner, Gundula Janowitz, Karl Ridderbusch, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 2 | 3B | 68 BPM | ||
Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 116 BPM | ||
Die Walküre, WWV 86B / Act III: "Wo ist Brünnhild', wo die Verbrecherin?" | Richard Wagner, Liselotte Rebmann, Ingrid Steger, Lilo Brockhaus, Danica Mastilovic, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 100 BPM |