Joseph Haydn, Ketil Haugsand, Cologne Chamber Orchestra, Helmut Muller-Bruhl made "キーboard Concerto in F Major, Hob.XVIII:7: II. Adagio" available on December 16, 2008. The duration of キーboard Concerto in F Major, Hob.XVIII:7: II. Adagio is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. キーboard Concerto in F Major, Hob.XVIII:7: II. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Helmut Muller-Bruhl's "Haydn, J.: キーboard Concertos" album is number 11 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, キーboard Concerto in F Major, Hob.XVIII:7: II. Adagio's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of キーboard Concerto in F Major, Hob.XVIII:7: II. Adagio by Joseph Haydn, Ketil Haugsand, Cologne Chamber Orchestra, Helmut Muller-Bruhl to be Vivace (lively and fast) because the track has a tempo of 157 テンポ, a half-time of 78テンポ, and a double-time of 314 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Concerto No. 5 in B-Flat Major: II. Adagio | Carl Stamitz, Paul Meyer, Kurpfälzisches Kammerorchester, Johannes Schlaefli | B♭ Major | 0 | 6B | 132 BPM | ||
Symphony No. 7 in A major, Op. 92: III. Presto | Nicolaus Esterhazy Sinfonia | D Major | 1 | 10B | 93 BPM | ||
Cello Concerto in B-Flat Major, G. 482: I. Allegro moderato | Luigi Boccherini, Raphael Wallfisch, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 1 | 6B | 125 BPM | ||
Keyboard Concerto in G Major, Wq. 44: II. Andantino | Carl Philipp Emanuel Bach, Michael Rische, Kammersymphonie Leipzig | E Minor | 0 | 9A | 87 BPM | ||
Sonata for Piano & Violin No. 1: II. Andante con moto. Tema con variazioni | Ludwig van Beethoven, Isabelle Faust, Alexander Melnikov | A Major | 1 | 11B | 101 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Concerto for Oboe in F Major, Op. 52: III. Rondo: Allegretto | Franz Krommer, Heinz Holliger, English Chamber Orchestra | F Major | 2 | 7B | 148 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Air a l'Italien | Cologne Chamber Orchestra | A Minor | 1 | 8A | 76 BPM | ||
Franck: Violin Sonata in A Major, FWV 8: IV. Allegretto poco mosso | César Franck, Pierre Amoyal, Mikhail Rudy | D Minor | 2 | 7A | 148 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 2 | 8A | 66 BPM |