Giovanni Sollima, Julian Kuerti made "When We Were Trees, The Family Tree (Vivaldi)" available on May 9, 2008. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of We Were Trees by Giovanni Sollima. The song's track number on the album is #13 out of 13 tracks. In terms of popularity, When We Were Trees, The Family Tree (Vivaldi) is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Since When We Were Trees, The Family Tree (Vivaldi) by Giovanni Sollima, Julian Kuerti has a tempo of 99 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With When We Were Trees, The Family Tree (Vivaldi) being at 99 テンポ, the half-time would be 50 テンポ with a double-time of 198 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fugitive Visions of Mozart: III. Allegro | Valentin Silvestrov, Johannes Moser, Vadim Gluzman, Andreï Korobeinikov | G Major | 0 | 9B | 65 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Orchestra Filarmonica della Calabria, Giovanni Sollima, Filippo Arlia | G Major | 3 | 9B | 135 BPM | ||
Preludes, Op. 28: No. 20 in C Minor, B. 107 (Arr. for Cello Quartet by Piotr Moss) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Vivaldi: Concerto for Violin and Cello in A Major, RV 546 "All'inglese": II. Andante | Antonio Vivaldi, Giovanni Sollima, Il Pomo D'oro, Federico Guglielmo | B Major | 0 | 1B | 133 BPM | ||
Cello Suite No. 3, Op. 87: IV. Barcarolla | Benjamin Britten, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
Sonata da camera for 2 Cellos in F Major: III. Presto | Giovanni Battista Costanzi, Giovanni Sollima, Monika Leskovar, Gianluca Ubaldi | C Major | 3 | 8B | 135 BPM | ||
The Wolf and the Seven Young Goats: III. Playful Goatlings | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Alexey Lundin | A Major | 1 | 11B | 87 BPM | ||
El Mirar de la Maja | Enrique Granados, Kim Kashkashian, Robert Levin | E♭ Major | 0 | 5B | 99 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 5 in G Minor (original in F-Sharp Minor) | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | G Major | 2 | 9B | 158 BPM | ||
4 Pieces for Cello & Piano, Op. 78: No. 2, Romance | Jean Sibelius, Duo Arnicans | F Major | 0 | 7B | 94 BPM |