Enrique Granados, Kim Kashkashian, Robert Levin made "El Mirar de la Maja" available on September 21, 2007. The duration of El Mirar de la Maja is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. El Mirar de la Maja's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 26 in Asturiana - Songs From Spain And Argentina by Kim Kashkashian, Robert Levin. In terms of popularity, El Mirar de la Maja is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of El Mirar de la Maja by Enrique Granados, Kim Kashkashian, Robert Levin is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valses poeticos: No. 3. Slow Waltz | Enrique Granados, Douglas Riva | E♭ Major | 0 | 5B | 78 BPM | ||
Toccata in G Minor (Arr. E. Netzer for Harp) | Alessandro Scarlatti, Elisa Netzer | C Minor | 1 | 5A | 100 BPM | ||
3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 1, Souvenance. Andantino | Cécile Chaminade, Eric Parkin | B Minor | 0 | 10A | 87 BPM | ||
Il Padrino (for Harp): Un poco liberamente | Nino Rota, Naoko Yoshino | F Minor | 0 | 4A | 83 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Schwanengesang, S. 560: No. 4 Ständchen | Franz Liszt, Vladimir Horowitz | D Major | 0 | 10B | 74 BPM | ||
Sonate en La Mineur, K. 109: Adagio | Domenico Scarlatti, Anne Queffélec | A Minor | 0 | 8A | 136 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM |