Josef Strauss, Mariss Jansons, Wiener Philharmoniker made "Künstlergruß, Polka française, Op. 274" available on January 2, 2012. The duration of Künstlergruß, Polka française, Op. 274 is about 3 minutes long, at 3:20. Based on our data, "Künstlergruß, Polka française, Op. 274" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "New Year's Concert 2012 / Neujahrskonzert 2012". In this album, this song's track order is #9. Künstlergruß, Polka française, Op. 274 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Künstlergruß, Polka française, Op. 274 by Josef Strauss, Mariss Jansons, Wiener Philharmoniker having a テンポ of 81 with a half-time of 40 テンポ and a double-time of 162 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Annen Polka, Op. 117 | Orchestra of the Viennese Volksoper & Alfred Scholz | D Major | 1 | 10B | 79 BPM | ||
"Sophia Perovskaya", Op.132 - music from the film: Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | D♭ Major | 0 | 3B | 172 BPM | ||
Vals del Emperador Op. 437 | Gran Orquesta Vienesa | C Major | 2 | 8B | 68 BPM | ||
Die Clienten, Walzer, Op. 156 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Mika Eichenholz | G Major | 2 | 9B | 170 BPM | ||
La vie parisienne, Polka | Jacques Offenbach, Budapest Strauss Ensemble, Istvan Bogar | G Major | 4 | 9B | 105 BPM | ||
Act I: Pas De Caractere (Street Dancer & Torero Espada) (Minkus) | Mariinsky Orchestra | C Major | 4 | 8B | 142 BPM | ||
Giselle / Act 1: No. 8 Galop | Adolphe Adam, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 96 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann) (arr. M. Rosenthal for orchestra): Ouverture - Barbe-Bleu | Jacques Offenbach, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 3 | 12B | 134 BPM | ||
Orphée aux enfers: Overture (Arr. C. Binder & J.G. Busch for Orchestra) | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | E Minor | 1 | 9A | 126 BPM | ||
Carmen Votre toast, je peux vous le rendre - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | F Major | 3 | 7B | 113 BPM |