"Ring Out Wild Bells: III. Lamenting" by Thea Musgrave, Victoria Soames-Samek, David le Page, Matthew Sharp, Mark Troop was released on January 1, 2002. The duration of Ring Out Wild Bells: III. Lamenting is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Ring Out Wild Bells: III. Lamenting's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Thea Musgrave: Chamber Music for Clarinet, Vol. 1 – Pierrot Dreaming". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Ring Out Wild Bells: III. Lamenting's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ring Out Wild Bells: III. Lamenting by Thea Musgrave, Victoria Soames-Samek, David le Page, Matthew Sharp, Mark Troop having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite: III. Drifting, Cascading | Jane Stanley, Jacqueline Shave, Simon Smith | F Major | 1 | 7B | 83 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
String Quartet No. 10, Op. 118: II. Allegro Furioso | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | G Major | 3 | 9B | 89 BPM | ||
Cantata No. 4: No. 2, Pastoral | Valentin Silvestrov, Inna Galatenko, Oleg Bezborodko, Lithuanian National Symphony Orchestra, Christopher Lyndon-Gee | D♭ Minor | 0 | 12A | 85 BPM | ||
Mythes, Op. 30, M29: No. 1, La fontaine d'Aréthuse | Karol Szymanowski, Elizabeth Chang, Steven Beck | E♭ Minor | 2 | 2A | 174 BPM | ||
Wind Quintet: I. Andante espressivo | Thea Musgrave, Lumas Winds | F Major | 1 | 7B | 119 BPM | ||
Six Canonic Studies, Op. 56: No. 1, Con moto egual’e dolce (Arr. for Orchestra by Robin Holloway) | Johannes Brahms, BBC Symphony Orchestra, Paul Mann | C Major | 0 | 8B | 126 BPM | ||
Cinderella Suite, Op. 87: Act I: Introduction | Sergei Prokofiev, Leonard Slatkin, St. Louis Symphony | F Major | 0 | 7B | 86 BPM | ||
carino es hola de un poco de ruido | mantekito loko | D Minor | 1 | 7A | 120 BPM | ||
Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 1 | 8B | 66 BPM |