Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack's 'Lieferung der Kettenbrucke-Walzer (Second Part of the Chain-Bridge Waltz), Op. 19' came out on August 18, 2003. Lieferung der Kettenbrucke-Walzer (Second Part of the Chain-Bridge Waltz), Op. 19 is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Strauss I, J.: Edition - Vol. 2". In this album, this song's track order is #13. Based on our statistics, Lieferung der Kettenbrucke-Walzer (Second Part of the Chain-Bridge Waltz), Op. 19's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Lieferung der Kettenbrucke-Walzer (Second Part of the Chain-Bridge Waltz), Op. 19 by Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack having a テンポ of 150 with a half-time of 75 テンポ and a double-time of 300 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
In a Persian Market | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | D Minor | 1 | 7A | 108 BPM | ||
Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
Khachaturian: Gayaneh, Suite No. 3: V. Sabre Dance | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | F Minor | 8 | 4A | 94 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Sperl-galopp, Op. 42 | Slovak Sinfonietta, Zilina, Johann Strauss I | E Major | 3 | 12B | 137 BPM | ||
Walzer, Op. 307: Wiener Bonbons | Sinfonieorchester des Tschechischen Rundfunks, Otto Aebi | C Minor | 1 | 5A | 105 BPM | ||
Imperial Fanfare | Antonio Salieri, Vienna Art of Trumpet, Leonhard Leeb | F Minor | 2 | 4A | 80 BPM |