"Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: IV. Dance" by Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons was released on January 1, 1989. The duration of Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: IV. Dance is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: IV. Dance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Prokofiev : Suite Nos. 1 & 2 from Romeo and Juliet". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: IV. Dance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Prokofiev: Suite No. 2 from Romeo and Juliet, Op. 64ter: IV. Dance by Sergei Prokofiev, Oslo Philharmonic Orchestra, Mariss Jansons having a テンポ of 57 with a half-time of 28 テンポ and a double-time of 114 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Debussy: Syrinx, L. 129 | Claude Debussy, Emmanuel Pahud | B Major | 0 | 1B | 165 BPM | ||
Rachmaninov: 10 Preludes, Op. 23: No. 5 in G Minor | Sergei Rachmaninoff, Nikolai Lugansky | G Minor | 1 | 6A | 113 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
String Quartet No. 13 in B-Flat Major, Op. 130: II. Presto | Ludwig van Beethoven, Kodály Quartet | B♭ Minor | 1 | 3A | 162 BPM | ||
The Four Seasons - Summer in G Minor, RV. 315: I. Allegro non molto – Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | G Minor | 2 | 6A | 147 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Peer Gynt, Op. 23: Act II, 7, In the Hall of the Mountain King | Edvard Grieg, Esa-Pekka Salonen | B Minor | 2 | 10A | 104 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17e, Moderato alla breve | Alexander Borodin, Leonard Bernstein, New York Philharmonic | A Major | 2 | 11B | 0 BPM | ||
Le Carnaval des Animaux, R. 125: 7. Aquarium | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | A Minor | 0 | 8A | 136 BPM |