Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne)

Jacques Offenbach, Michel Plasson, André Batisse, Christiane Château, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse
Offenbach: La vie parisienne
2:25 2023年9月15日
テンポ
111
キー
A♭ Major
キャメロットミュージックキー
4B

リンクを埋め込む

共有

Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) - Jacques Offenbach, Michel Plasson, André Batisse, Christiane Château, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse 情報

音響性
86%
ダンサビリティ
60%
エネルギー
27%
手段性
0%
活気
45%
ラウドネス
64%
話し言葉
49%
価数
49%
人気
ラウドネス
-21.311 dB

まとめ

Jacques Offenbach, Michel Plasson, André Batisse, Christiane Château, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse made "Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne)" available on September 15, 2023. The duration of Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Offenbach: La vie parisienne". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. In terms of popularity, Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.

Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) テンポ

With Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) by Jacques Offenbach, Michel Plasson, André Batisse, Christiane Château, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.

Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) キー

This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitatoFelix Mendelssohn, NDR Radiophilharmonie, Andrew ManzeG Minor06A109 BPM
Sinfonia for Strings in G major, RV 149: I. Allegro molto by Karoly BotvaySinfonia for Strings in G major, RV 149: I. Allegro moltoKaroly BotvayD Major210B125 BPM
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo by Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas SteinbergSymphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppoHector Berlioz, Slovak Radio Symphony Orchestra, Pinchas SteinbergC Major18B118 BPM
Gaîté parisienne: Barcarolle by Jacques Offenbach, Boston Symphony Orchestra, Seiji OzawaGaîté parisienne: BarcarolleJacques Offenbach, Boston Symphony Orchestra, Seiji OzawaA Minor08A135 BPM
Polovetsian Dances from Prince Igor: Introduzione by Alexander Borodin, George Szell, Cleveland OrchestraPolovetsian Dances from Prince Igor: IntroduzioneAlexander Borodin, George Szell, Cleveland OrchestraA Major111B83 BPM
Moscow-Cheryomushki, Op. 105: 2. Waltz by Dmitri Shostakovich, Philadelphia Orchestra, Riccardo ChaillyMoscow-Cheryomushki, Op. 105: 2. WaltzDmitri Shostakovich, Philadelphia Orchestra, Riccardo ChaillyE Minor09A179 BPM
Tritsch Tratsch - Galopp Polka, Op. 214 by Orchestra of the Viennese Volksoper & Alfred ScholzTritsch Tratsch - Galopp Polka, Op. 214Orchestra of the Viennese Volksoper & Alfred ScholzA Major211B80 BPM
Saint-Saëns: Symphony No. 3 in C Minor, Op. 78, Saint-Saëns: Symphony No. 3 in C Minor, Op. 78, "Organ": Maestoso - AllegroCamille Saint-Saëns, Orchestre Du Capitole De Toulouse, Michel Plasson, Orchestre National Du Capitole De ToulouseC Major48B98 BPM
Coro a bocca chiusa from Madama Butterfly - Voice by Giacomo Puccini, Plácido Domingo, Renata Scotto, Lorin MaazelCoro a bocca chiusa from Madama Butterfly - VoiceGiacomo Puccini, Plácido Domingo, Renata Scotto, Lorin MaazelF Major17B147 BPM
Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail by Jacques Offenbach, Magdalena Kozená, Jean-Christophe Keck, Mahler Chamber Orchestra, Marc MinkowskiLes Contes d'Hoffmann / Act 2: Voyez - la sous son éventailJacques Offenbach, Magdalena Kozená, Jean-Christophe Keck, Mahler Chamber Orchestra, Marc MinkowskiD Major110B76 BPM
ISRC
FRZ117605480
レコードレーベル
L-M Records/RCA Records