Jacques Offenbach, Michel Plasson, André Batisse, Christiane Château, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse made "Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne)" available on September 15, 2023. The duration of Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Offenbach: La vie parisienne". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. In terms of popularity, Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Offenbach: La vie parisienne, Act 1: Triolet. "Ce que c'est pourtant que la vie" - Dialogue. "Les voici, Monsieur, les voici" (Gardefeu, Joseph, Le Baron, La Baronne) by Jacques Offenbach, Michel Plasson, André Batisse, Christiane Château, Luis Masson, Michel Sénéchal, Orchestre Du Capitole De Toulouse having a テンポ of 111 with a half-time of 56 テンポ and a double-time of 222 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang": Ib. Allegretto un poco agitato | Felix Mendelssohn, NDR Radiophilharmonie, Andrew Manze | G Minor | 0 | 6A | 109 BPM | ||
Sinfonia for Strings in G major, RV 149: I. Allegro molto | Karoly Botvay | D Major | 2 | 10B | 125 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
Gaîté parisienne: Barcarolle | Jacques Offenbach, Boston Symphony Orchestra, Seiji Ozawa | A Minor | 0 | 8A | 135 BPM | ||
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Moscow-Cheryomushki, Op. 105: 2. Waltz | Dmitri Shostakovich, Philadelphia Orchestra, Riccardo Chailly | E Minor | 0 | 9A | 179 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM | ||
Saint-Saëns: Symphony No. 3 in C Minor, Op. 78, "Organ": Maestoso - Allegro | Camille Saint-Saëns, Orchestre Du Capitole De Toulouse, Michel Plasson, Orchestre National Du Capitole De Toulouse | C Major | 4 | 8B | 98 BPM | ||
Coro a bocca chiusa from Madama Butterfly - Voice | Giacomo Puccini, Plácido Domingo, Renata Scotto, Lorin Maazel | F Major | 1 | 7B | 147 BPM | ||
Les Contes d'Hoffmann / Act 2: Voyez - la sous son éventail | Jacques Offenbach, Magdalena Kozená, Jean-Christophe Keck, Mahler Chamber Orchestra, Marc Minkowski | D Major | 1 | 10B | 76 BPM |