"Daphnis et Chloe: Part II: Bryaxis ordonne d'amener la captive" by Maurice Ravel, Bordeaux Opera Chorus, Bordeaux Aquitaine National Orchestra, Laurent Petitgirard was released on November 21, 2006. Since Daphnis et Chloe: Part II: Bryaxis ordonne d'amener la captive is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 11 in the song's album "Ravel: Daphnis and Chloe". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Hong Kong. Daphnis et Chloe: Part II: Bryaxis ordonne d'amener la captive is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Daphnis et Chloe: Part II: Bryaxis ordonne d'amener la captive by Maurice Ravel, Bordeaux Opera Chorus, Bordeaux Aquitaine National Orchestra, Laurent Petitgirard having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 4, BB 95: IV. Allegretto pizzicato | Béla Bartók, Cavani Quartet | F Minor | 1 | 4A | 131 BPM | ||
Symphony No. 5 in B Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, Thomas Søndergård, Royal Scottish National Orchestra | G Major | 2 | 9B | 81 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Nocturnes: No. 1. Nuages | Claude Debussy, MDR Leipzig Radio Chorus, Leipzig Radio Symphony Orchestra, Max Pommer | C Major | 0 | 8B | 76 BPM | ||
On the Dnieper Suite, Op. 51bis: III. The Betrothal | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 1 | 10B | 128 BPM | ||
Barcarolle in F Major, Op. 108 | Camille Saint-Saëns, Fine Arts Quartet, Cristina Ortiz | A Major | 1 | 11B | 77 BPM | ||
3 Small Tone Poems: No. 1. Summer Evening | Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones | D Major | 0 | 10B | 90 BPM | ||
2 Melodies, Op. 53 (version for orchestra): No. 2. Det forste mode (The First Meeting) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 0 | 10B | 74 BPM | ||
Lutoslawski : Concerto for Orchestra : I Intrada - Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | B Major | 0 | 1B | 0 BPM |