"Oboe Sonata in F Major, Op. 13: III. Allegro di molto" by Gustav Schreck, Alessandro Baccini, Alessandro Cappella was released on August 1, 2013. Since Oboe Sonata in F Major, Op. 13: III. Allegro di molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Virtuosic and enchanting XIX and XX century music for Oboe and Piano by Alessandro Baccini. The song's track number on the album is #7 out of 10 tracks. Oboe Sonata in F Major, Op. 13: III. Allegro di molto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Oboe Sonata in F Major, Op. 13: III. Allegro di molto by Gustav Schreck, Alessandro Baccini, Alessandro Cappella has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Oboe Sonata in F Major, Op. 13: III. Allegro di molto being at 78 テンポ, the half-time would be 39 テンポ with a double-time of 156 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto for the Left Hand No. 1: I. Introduktion - Thema | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | D Major | 1 | 10B | 128 BPM | ||
Bacchus, Act III Tableau 2: Les Mysteres dionysiaques: Initiation II | Jules Massenet, Barcelona Symphony and Catalonia National Orchestra, Patrick Gallois | F Major | 1 | 7B | 89 BPM | ||
Christus, der Auferstandene, Op. 26 (Oratorium) (Gesamtaufnahme): Weib, was weinest du - Live | Gustav Schreck, Philharmonisches Orchester des Staatstheaters Cottbus, Fabian Enders, Franziska Abram, Marie Henriette Reinhold, Andreas Scheibner | G Major | 1 | 9B | 97 BPM | ||
Paris In April | Winfred Jeremiah | B♭ Major | 1 | 6B | 91 BPM | ||
Stück für Flötenuhr nr. 30 | The Royal Wind Music | B♭ Major | 1 | 6B | 112 BPM | ||
Holy and Celestial Harmony | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | E Major | 0 | 12B | 111 BPM | ||
Silia valssi mollissa for String Orchestra | Wiljami Niittykoski, Ostrobothnian Chamber Orchestra, Kreeta-Maria Kentala | G Minor | 1 | 6A | 146 BPM | ||
Concerto in E Major, S 49, WoO 1: II. Andante | Johann Nepomuck Hummel, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | E Minor | 0 | 9A | 180 BPM | ||
À Chloris | Reynaldo Hahn, Benjamin Appl, James Baillieu | D Major | 0 | 10B | 70 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 16. Allegretto | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 105 BPM |