"Piano Concerto for the Left Hand No. 1: I. Introduktion - Thema" by Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane was released on February 2, 2024. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane's "Labor: Piano Concertos for the Left Hand Nos. 1-3" album is number 1 out of 11. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Piano Concerto for the Left Hand No. 1: I. Introduktion - Thema's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto for the Left Hand No. 1: I. Introduktion - Thema by Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane to be Allegro (fast, quick, and bright) because the track has a tempo of 128 テンポ, a half-time of 64テンポ, and a double-time of 256 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Etude en 12 exercices, S. 136: No. 2 in A Minor | Franz Liszt, Lívia Rév | A Minor | 3 | 8A | 93 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (3) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Piano Quintet in E-Flat Major, Op. 44: I. Allegro brillante | Robert Schumann, Peter Donohoe, Sacconi Quartet | B♭ Major | 2 | 6B | 120 BPM | ||
Etudes for Piano, Op. 740: No. 11 in F Major | Carl Czerny, Irina Smorodinova | F Minor | 1 | 4A | 117 BPM | ||
Paraphrase de concert sur „Volvio Una Noche | Hannes Pohlit, Carlos Gardel | F Major | 1 | 7B | 136 BPM | ||
Melody (Version for 2 Pianos) | Myroslav Skoryk, Myroslaw Skoryk, Roman Fediurko, Oleksandr Fediurko | E Major | 2 | 12B | 178 BPM | ||
Ballade, Op. 24 (Variations on a Norwegian Melody): Var. 12. Meno allegro e maestoso | Edvard Grieg, Andrey Gugnin | F♯ Major | 0 | 2B | 65 BPM | ||
Concertante Variationen über ein Thema von Beethoven für Klavier und Orchester: III. Ruhig fließend - Arr. For 2 Hands by Friedrich Wührer | Franz Schmidt, Friedrich Wührer, Ragna Schirmer, Andrey Boreyko, Hamburg Symphony Orchestra | F♯ Minor | 2 | 11A | 107 BPM | ||
展覧会の絵(キエフの大門) - Nobuyuki Tsujii Carnegie Hall debut Live | Nobuyuki Tsujii | B Minor | 1 | 10A | 94 BPM | ||
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: II. Lento | Dmitri Shostakovich, Cristina Ortiz, Paavo Berglund, Bournemouth Symphony Orchestra | C Major | 0 | 8B | 62 BPM |