"Piano Quartet in A Major, Op. 30: II. Très calme" by Ernest Chausson, Daniel Esser, Jet Röling, Kees Hulsmann, Richard Wolfe was released on November 18, 2005. Since Piano Quartet in A Major, Op. 30: II. Très calme is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 8 in Chausson: Piano Quartet & Trio by Ernest Chausson, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Piano Quartet in A Major, Op. 30: II. Très calme is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Quartet in A Major, Op. 30: II. Très calme by Ernest Chausson, Daniel Esser, Jet Röling, Kees Hulsmann, Richard Wolfe is Adagio (slowly with great expression), since this song has a tempo of 73 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in A Major, S. 125: Allegro deciso - | Franz Liszt, Alexandre Kantorow, Tapiola Sinfonietta, Jean-Jacques Kantorow | B♭ Major | 3 | 6B | 131 BPM | ||
Piano Concerto No.5 in F, Op.103 "Egyptian": 3. Molto allegro | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | C Major | 3 | 8B | 78 BPM | ||
Vier letzte Lieder, TrV 296: 3. Beim Schlafengehen | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | D♭ Major | 1 | 3B | 66 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Orpheus Chamber Orchestra | F Minor | 0 | 4A | 124 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Ma mère l'oye, ballet, M. 62: Prélude: Très lent | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | G Major | 0 | 9B | 90 BPM | ||
Concerto for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne | Ernest Chausson, Jorge Bolet, Juilliard String Quartet | A Minor | 2 | 8A | 89 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Myrthen, Op. 25: No. 1, Widmung | Robert Schumann, Camilla Tilling | A♭ Major | 1 | 4B | 74 BPM |