"War Requiem, Op.66 / Libera me: Let us sleep now...In paradisum" by Benjamin Britten, Boje Skovhus, Anthony Rolfe Johnson, Luba Orgonasova, NDR-Sinfonieorchester, John Eliot Gardiner, Tölzer Knabenchor, Gerhard Schmidt-Gaden, The Monteverdi Choir, Chor des Norddeutschen Rundfunks, Howard Arman was released on June 27, 2020. War Requiem, Op.66 / Libera me: Let us sleep now...In paradisum is about six minutes long, preciously at 5:58, making this song fairly long compared to other songs. The song is number 25 out of 61 in Britten: His Music by Benjamin Britten. Based on our statistics, War Requiem, Op.66 / Libera me: Let us sleep now...In paradisum's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of War Requiem, Op.66 / Libera me: Let us sleep now...In paradisum by Benjamin Britten, Boje Skovhus, Anthony Rolfe Johnson, Luba Orgonasova, NDR-Sinfonieorchester, John Eliot Gardiner, Tölzer Knabenchor, Gerhard Schmidt-Gaden, The Monteverdi Choir, Chor des Norddeutschen Rundfunks, Howard Arman is Allegro (fast, quick, and bright), since this song has a tempo of 131 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peter Grimes: 4 Sea Interludes, Op. 33a: III. Moonlight | Benjamin Britten, London Symphony Orchestra, Steuart Bedford | E♭ Major | 0 | 5B | 84 BPM | ||
The Wreckers: Overture | Dame Ethel Smyth, Sakari Oramo, BBC Symphony Orchestra | C Major | 8 | 8B | 176 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Simple Symphony, Op. 4: "Playful Pizzicato" from Simple Symphony, Op. 4 | Benjamin Britten, English Chamber Orchestra | C Major | 2 | 8B | 121 BPM | ||
Gloria, FP 144: 5. Domine Deus, Agnus Dei | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 95 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Peter Grimes, Op. 13: Act I: Interlude II | Benjamin Britten, Britten-Pears Orchestra, Steuart Bedford | E Major | 3 | 12B | 103 BPM |