"Piano Concerto No. 1 in B-FlatMinor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito" by Berliner Symphoniker Orchestra was released on January 7, 2019. Piano Concerto No. 1 in B-FlatMinor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Peter Tchaikovsky: Piano Concerto No. 1 · From the Seasons · Dumka in A Major". In this album, this song's track order is #1. Piano Concerto No. 1 in B-FlatMinor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 1 in B-FlatMinor, Op. 23: I. Allegro non troppo e molto maestoso – Allegro con spirito by Berliner Symphoniker Orchestra having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: III. Allegro | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Glinka/Balakirev: The Lark (L'Alouette) | Glinka/Balakirev, Philip Fowke | B♭ Minor | 0 | 3A | 77 BPM | ||
Goldberg Variations, BWV 988: Aria | Johann Sebastian Bach, Henrik Måwe | E Major | 0 | 12B | 72 BPM | ||
Consolations, S. 172: No. 3, Lento placido in D-Flat Major | Franz Liszt, Henrik Måwe | A♭ Major | 1 | 4B | 73 BPM | ||
Piano and Orchestra Concerto in A Minor, Op. 54: II. Intermezzo: Andantino grazioso | Berliner Symphoniker Orchestra | F Major | 0 | 7B | 71 BPM | ||
Violin Concerto No.1 in G minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 2 | 9B | 91 BPM | ||
Prélude À L'après-midi D'un Faune (Prelude to the Afternoon of a Faun) | Claude Debussy, Betrand Loic, Orchestre Radio Symphonique | A♭ Minor | 0 | 1A | 82 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: I. Moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | C Major | 1 | 8B | 138 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM |