"Lohengrin, Teil 2, zweiter Akt: Gesegnet soll sie schreiten" by Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Lorin Maazel was released on July 25, 1960. Lohengrin, Teil 2, zweiter Akt: Gesegnet soll sie schreiten is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. This song is part of Wagner: Lohengrin by Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Lorin Maazel. The song's track number on the album is #26 out of 41 tracks. Lohengrin, Teil 2, zweiter Akt: Gesegnet soll sie schreiten is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lohengrin, Teil 2, zweiter Akt: Gesegnet soll sie schreiten by Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Lorin Maazel has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lohengrin, Teil 2, zweiter Akt: Gesegnet soll sie schreiten being at 85 テンポ, the half-time would be 42 テンポ with a double-time of 170 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
Die Fledermaus: Act II: Ein Souper uns heute winkt (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | E Major | 2 | 12B | 103 BPM | ||
Jenufa / Act 1: A tak bychom sli celym zivotem | Leoš Janáček, Elisabeth Söderström, Eva Randová, Marie Mrazova, Wiesław Ochman, Vaclav Zitek, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Charles Mackerras | F♯ Major | 2 | 2B | 92 BPM | ||
Messa da Requiem: II Mors stupebit | Elena Filipova, Cesar Hernandez, Hungarian State Opera Chorus, Carlo Colombara, Gloria Scalchi, Hungarian State Opera Orchestra | A Major | 1 | 11B | 127 BPM | ||
II trovatore: Vedi! Le fosche notturne spoglie (Anvil Chorus) | Giuseppe Verdi, Atlanta Symphony Orchestra, Robert Shaw | D♭ Major | 0 | 3B | 133 BPM | ||
Te Deum, WAB 45: III. Aeterna fac | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus | D Minor | 2 | 7A | 123 BPM | ||
Elektra, Op. 58, TrV 223: "Allein! Weh, ganz allein." | Richard Strauss, Inge Borkh, Staatskapelle Dresden, Karl Böhm | D♭ Major | 5 | 3B | 179 BPM | ||
Te Deum, WAB 45: 1. Te Deum laudamus | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | C Minor | 2 | 5A | 126 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Der Feldmarschall sitzt im krowatischen Wald" (Octavian, Marschallin) | Richard Strauss, Herbert von Karajan, Elisabeth Schwarzkopf, Christa Ludwig, Philharmonia Orchestra | C Major | 2 | 8B | 129 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM |