"IV. Femina Mistica: Alma, Buscarte Has En Mi (Sta. Teresa De Jesús / Moxica, CMP)" by Montserrat Figueras was released on January 1, 2006. Since IV. Femina Mistica: Alma, Buscarte Has En Mi (Sta. Teresa De Jesús / Moxica, CMP) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Montserrat Figueras's "Lux Feminæ 900-1600" album is number 8 out of 15. On top of that, Switzerland appears to be the country where this track was created. IV. Femina Mistica: Alma, Buscarte Has En Mi (Sta. Teresa De Jesús / Moxica, CMP) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of IV. Femina Mistica: Alma, Buscarte Has En Mi (Sta. Teresa De Jesús / Moxica, CMP) by Montserrat Figueras to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Piva | Joan Ambrosio Dalza, Shirley Rumsey | G Major | 1 | 9B | 122 BPM | ||
Motets: Cantate domino | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 77 BPM | ||
La Gamba In Basso, E Soprano (1564) | La Capella Reial De Catalunya, Hespèrion XXI, Jordi Savall, Fahmi Alqhai, Philippe Pierlot, Rafael Bonavita | D Minor | 0 | 7A | 176 BPM | ||
Lamento della ninfa - non havea febo ancora | Claudio Monteverdi, Jordi Savall, Montserrat Figueras, Hespèrion XX | C Major | 1 | 8B | 113 BPM | ||
Recercar | Stephen Stubbs | F♯ Minor | 0 | 11A | 109 BPM | ||
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement | Marin Marais, Mieneke van der Velden, Glen Wilson | E♭ Minor | 0 | 2A | 120 BPM | ||
Daniell Batchelar: Mounsier's Almaine (1610) | Paul O'Dette | F♯ Major | 0 | 2B | 124 BPM | ||
Il diluvio universale, Act IV "In l’arca di Noè": Ecco l’Iride paciera | Michelangelo Falvetti, Leonardo García-Alarcón, Chœur De Chambre De Namur, Cappella Mediterranea | F Major | 5 | 7B | 112 BPM | ||
Pavana alla venetiana | Joan Ambrosio Dalza, Paul O'Dette | A Major | 1 | 11B | 133 BPM |