"Symphony No. 7 in A Major, Op. 92: 2. Allegretto" by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1963. Since Symphony No. 7 in A Major, Op. 92: 2. Allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 38 in Beethoven: The 9 Symphonies by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan. Based on our statistics, Symphony No. 7 in A Major, Op. 92: 2. Allegretto's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 7 in A Major, Op. 92: 2. Allegretto by Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite española, Op.47: Asturias (Leyenda) | Isaac Albéniz, The State of Mexico Symphony Orchestra, Enrique Bátiz | B♭ Minor | 1 | 3A | 136 BPM | ||
Wagner: Die Walküre, WWV 86B, Act 3: Walkürenritt (Concert Version. Lebhaft) | Richard Wagner, Klaus Tennstedt, Berliner Philharmoniker | G Major | 3 | 9B | 95 BPM | ||
Prelude and Fugue in C Major, BWV 846 from "The Well-Tempered Clavier, Book I": Prelude | Johann Sebastian Bach, Glenn Gould | C Major | 2 | 8B | 123 BPM | ||
Cantos de España, Op. 232: 2. Asturias - Leyenda | Isaac Albéniz, Simon Ghraichy | C Minor | 1 | 5A | 133 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante | Felix Mendelssohn, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 130 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Concertgebouworkest, Riccardo Chailly | F Major | 0 | 7B | 82 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Debussy: Prélude à l'après-midi d'un faune, CD 87, L. 86 | Claude Debussy, Sir Simon Rattle, Berliner Philharmoniker | A♭ Minor | 0 | 1A | 76 BPM | ||
2 Arabesques: No. 1 in E Major | Claude Debussy, Nino Gvetadze | G Major | 0 | 9B | 148 BPM | ||
Saint-Saëns: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 | Camille Saint-Saëns, Maxim Vengerov, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 1 | 8A | 147 BPM |