Berliner Philharmoniker made "Coppélia, Tableau 1 : No. 3, Mazurka." available on October 7, 2020. With Coppélia, Tableau 1 : No. 3, Mazurka. being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Les plus beaux airs de ballet" album is number 9 out of 15. On top of that, France appears to be the country where this track was created. Coppélia, Tableau 1 : No. 3, Mazurka. is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Coppélia, Tableau 1 : No. 3, Mazurka. by Berliner Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Major | 3 | 11B | 127 BPM | ||
Tosca (arr. for orchestra): Tosca, Act II: Vissi d'arte (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | E♭ Major | 0 | 5B | 83 BPM | ||
Preliudai (Preludes): Preludias, Op. 12, No. 1: Lento | Mikalojus Konstantinas Čiurlionis, Slovak Philharmonic, Juozas Domarkas | E Minor | 0 | 9A | 82 BPM | ||
Don Quichotte, Acte I : Variation : Basilio. Variation : Kitri. | Orchestre de l'Opéra de Sofia | B Minor | 2 | 10A | 130 BPM | ||
Fanfare and Theme for Symphonic Orchestra | Rafael Krux | B♭ Major | 1 | 6B | 89 BPM | ||
King Christian II Suite, Op. 27: I. Nocturne | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
Act II: The Puppet-Show (Minkus) | Mariinsky Orchestra | A Minor | 0 | 8A | 94 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
Eine Symphonie zu Dantes Divina Commedia, S109/R426, "Dante Symphony": I. Inferno: Lento | Franz Liszt, Veronika Kincses, Hungarian Radio and Television Ladies Chorus, Budapest Symphony Orchestra, György Lehel | G Major | 4 | 9B | 169 BPM |